Ubayyaan Azheer M361 at the Stud of Sh. Muhammad B. Salman. Photo Amanda Jane Smith.
Mlolesh Wesaal M654 at the stud of Sh. Mohamed b. Salman. Photo courtesy Amanda Jane Smith.
Putting together information from Judi Forbis’ series of articles “Pearls of Great Price” on Bahraini horses as reproduced in Classic Arabian Bloodstock, with information from Dana Al Khalifa’s introduction to her “Living Treasures of Bahrain”, and comparing these with the current strains existing at the Bahraini Royal studs, one can list the Arabian horse strains lost to Bahrain in the course of the last 80 years: Shuhayban, which is Kuhaylan ibn Waberah (mare gifted to Egypt in 1930s, as reported in Forbis, strain died out before 1970s) Kuhaylan Om Soura (in Forbis, strain died out before Forbis visit in 1970s) Dahman Najib (in Forbis, strain died out before Forbis visit in 1970s) Kuhaylan ‘Ajuz (reported as current in Forbis and Danah, died out before WAHO conference of 1998) Hadban (reported as current in Danah, died out in 1980s) Hadhfan, which is Ubayyan Umm Al-Ardaf (last stallion featured in 1998 catalogue, strain died out in early 2000s) Wadnan (last stallion featured in 1998 catalogue, strain died out in 2000s) Suwaiti (last stallion featured in 1998 catalogue, strain died out of 2000s, replaced with a branch from Saudi Arabia) Krushan (strain died in 1990s or 2000s, replaced with non-asil branch from UK) Dahman Umm…
From Kina Murray: I always find it interesting how much the Bahraini horses, especially the stallions, somehow change when in motion. This is Jellaby Kher, from 1998 WAHO conference visit to Umm Jidr stud.
One of the main reasons why some strains do not appear in the Abbas Pasha Manuscript is that they had not been formed or named yet. One example is Kuhaylan Hayfi in Northern Arabia, and another is Kuhaylan Al-Aadiyat in Bahrain. The latter strain is peculiar to Bahrain, stemming from a Kuhaylah Ajuz of the Bedouin Shaykhs of the ‘Ajman tribe, gifted to Bahrain at the turn of the XXth century. The story of how it was named is told here. Note that both Kuhaylat al-Aadiyat and Kuhaylat Umm Surayyir/Zurayr both came to Bahrain from the ‘Ajman tribe of Eastern Arabia. Lady Anne Blunt already noted the ‘Ajman original provenance of many of the Bahrain strains.
Again, elevating this other quote Laszlo relayed from Valerie Noli-Marais’ 1972 article in Arabian Horse News, because it’s very relevant to the discussion about the pronounced male-female difference in Arabian horses, but also to other earlier discussions on dished profiles: ”The stallions are between 14.3 and 16 h.h., very masculine, short-backed and compact, with long powerful necks, with prominent crests, good withers, broad and deep chests, and tremendously powerful quarters. Top-lines are good and tail carriage is truly magnificent. the legs apart from disfigurement by the shackling,are excellent and dry with large flat knees,short pasterns and large strong hooves… The mares are smaller, 14.2 to 15 hands high, feminine, with finer heads,more to our western taste. Some had quite good dished profiles, although this factor is not mentioned in the traditional standards. When questioned about the “dish”, it was apparent that this was not sought after or bred for, but happened to be present in some horses. It is tolerated in mares but not in stallions.”.. She certainly knew how to identify and describe the good points in an Arabian horse. Her last sentence, about the dish being tolerated in mares but not in stallions, certainly rings a bell, in…
In a comment on an earlier post, Laszlo reminded us of this quote from Valerie Noli-Marais in an article from a 1972 Arabian Horse News issue about the horses of Bahrain: “When a Bahrain Arabian horse is taken off its hobbles and proudly bursts into motion, with mane flying, dark kohl ringed eyes flashing, tail straight up like a banner and arching his long neck, it is a sight to bring tears to the eyes of any horse lover – for truly it is he – the real Drinker of the Wind… The wonderful photos Matthias Oster has been featuring here over the past two days are an illustration of this. So is this photo of Saidan Gharib at the 1998 WAHO conference in Bahrain. One of the things I loved the most about these Bahraini horses is how different stallions are from closely related mares, often their sisters and their mothers. Just as in wildlife, there is a differentiation between the male and the female, which has almost been erased in the show horse. Bahraini stallions exhibit strong primary masculine features like thicker necks, while mares’ neck are much thinner.
I came back from Bahrain with my head swirling with images of desert-bred Arabians, which still look like the way Arabians ought to look like (read: not like China dolls or sea horses or “living art”). One of the strains that survive over there — and nowhere else — is that of Kuhaylah Umm Zorayr, with a precious few mares left at the Royal Stud (below, a yearling from that strain in 1998, second photo credit Kina Murray). In her “pearls of great price” article series, Judi Forbis mentions the strain in passing among the many strains Bahrain had preserved by the early 1970s, but without elaborating further. There is a bit more information on the website of the Royal Stud, which relates the wonderful story of an old black mare of that strain that was first believed to be way past breeding age, but when put back in training in 1969, produced a daughter that carried the line forward. I thought this was all there was. Then, while flipping through the Abbas Pasha Manuscript — that bottomless treasure — I came across “the History of Kuhayla om Sareer”, and Her Name is Dahma”, on pages 580 and 581, and it occurred…
This camel statuette is in the British Museum, and came from the Hadramaut area around 1907. It has a short dedication in Sabean to the god Wadd-Ab, “Wadd is the father”. From the 2nd or 1st century BC.
I finally saw the Arabian horses of Bahrain, those “Pearls of Great Price”, after a 30 year wait. Thanks to Jenny Lees who arranged the private visit to the Stud of the late Sheikh Mohammad Bin Salman Aal Khalifah, we, my father and I, had the privilege of seeing these horses two days before their presentation. In an unforgivable episode of forgetfulness, I only brought my camera phone, the battery of which died after snapping photos of the third stallion. The others are in my head, just like hundred of other horses seen but not photographed. Most impressive among the horses of the late Sh. Mohammed was a grey Hamdani (no photos). An older Rabdan, a chestnut Sa’eedan, a grey Tuwaisan, a grey Shawafan, and a dark chestnut Radban, many of these sons of the older Radban. The three below were among my favorites: from top to bottom: a very showy ‘yellow Ubayyan; a very balanced and powerful Jellabi; and a more refined, drier speckled Mlolshaan.
This was taken in 1980 or 1981, near the town of Rayak, in the Biqa’ valley of Lebanon. Rayak, more specifically the village of Hawsh Haala, outside Rayak, was where we put our horses. We had a partnership with the Hindi family over the horses, since the time of my grandfather, Edward Al-Dahdah, in the late 1920s. The young man holding me is Shafiq Hindi, a longtime family friend, who had taken over the partnership after the passing of his uncle Subhi Hindi. The mare, the mare, was my father’s all-time favorite, Zanoubia (III). A mare of great style, refinement and beauty in her heyday, gazelle-like, from an noble, prestigious and storied origin, and a notoriously difficult producer. She was born in 1976, by Ash-hal, a Kbayshan, out of Bint Wazzal, by Wazzal, a Ubayyan, out of Su’ad, by al-Jazzar, a Kuhaylan Nawwaq, out of Umm Mash’al, by Ghazwane, a Kuhaylan al-Kharas out of a ‘Ubayyah, by a Saqlawi al-Aama (the blind), out a ‘Ubayyah by a Kuhaylan Nawwaq out of a ‘Ubayyah Sharrakiyah of the Sarraf family of Ba’albek in the Biqa’ valley, who had obtained the strain from Ibn Thamdan of the Sba’ah ‘Anazah. Another photo of the same mare, ten year after the first…
This Syrian mare bred by Basil Jadaan in 1994 was exported to France at a young age. Photo from owner Chantal Chekroun. Hijab met an untimely death, but leaves behind a son, Manjad Maram Al Baida, by Mokhtar, and a daughter Quokriya Al Shatane, both by Mokhtar, another of Basil’s horses imported to France. Mokhtar if still alive would be 30 today. She was a Saqlawiyah Jadraniyah by strain, from the breeding of Ibn Amud of the Shammar. The pedigree of the maternal grand-dam, here, is incorrect. Marwa’s father was a Saqlawi Jadran and her sire’s dam a Ubayyan Suhayli (branch of Ubayyan Sharrak, originally from the horses of the Sharif of Mecca. Below, her daughter Quokriya Al Shatane, by Mokhtar. Photo courtesy of breeder Chantal Chekroun.
From the Abbas Pasha Manuscript — that bottomless treasure — page 546: “and we mated her a second time to the Hadban horse of Saffuq al Jarba, and he is of the horses of al Jaless of al Kawakibah” Elsewhere in the Manuscript it is recorded that the stud/marbat of Hadban Enzahi of the al-Kawakibah section of the Ruwalah belonged to Nahi al-Mushayteeb of al-Kawakibah, and that it was an old stud. Al-Mushayteeb obtained them from al-Nazahi of the ancient Bedouin tribe of al-Fudul. That Hadban stallion in the testimony was the great-grandfather of a horse that was three years old in the early 1850s. This means that in the 1830s or early 1840s at the very least, there was already a branch of the Hadban strain of the Kawakibah with the Jarba leaders of the Shammar, and that one of the horses of this Shammar branch of that Hadban strain was used as a stallion. Saffuq al-Jarba, nicknamed “al-muhazzam”, meaning “Saffuq of the belt” because he was so warlike that he reportedly never left his military gear, died in 1843. This is very consistent with the testimony of the Jarba leaders of the Shammar in the mid 1980s about their prized Hadban strain…
When I started this blog, more than eight years ago, it was out of a need to connect American breeders and lovers of desert Arabian horses with facts, stories, and like-minded people from the rest of the world. I believe this task has now largely been fulfilled, not necessarily by this blog, but mostly by the advent of social media tools that connect people across the globe. With the endless loss of life, heritage, culture and horses engulfing the Middle East — Syria, Iraq, Yemen, others maybe soon — I have been feeling the increasing need to switch gears and reach out to those who live in the cradle of the Arabian horses, especially the youth. Amidst these tragedies, those who are normally the reference and the source of the knowledge, expertise, tradition about desert horses, and the original source of the horses themselves, are at risk of losing faith in what they have and in who they are. So pervasive is the influence of Western lifestyles, media, ideas, so overwhelming is the destruction of ancient centers of knowledge, tradition and culture — including about Arabian horses like Aleppo, Homs, Mossul, Sanaa, so large is the flow of refugees who lost everything, that the time has come…
Coat colors in old Arabic treatises on horses pose a big challenge not just because of their sheer number — close to a hundred — but also because they do not follow quite the same pattern as color coat definitions of Arabians in the west: grey, chestnut, bay, and black. I having been trying to look for an internal logic to color classification by the ancient Arabs and Bedouins for some years now. I am now certain of a few color correspondences. One of them is ablaq (feminine balqaa), and its roan. It’s defined in the old Arabic dictionaries as the appearance of white hair in any other coat color which does not fade as the animal ages (ie, grays). It’s also further qualified by the base color: so you have “ashqar ablaq” which is the equivalent of a chestnut roan, or a “kumayt ablaq”, which is a bay roan. Then you have different types of “ablaq”, depending on which part of the body the roaning occurs.
I had never seen this photo of Beteyen Ibn Mirshid of the Sbaa Bedouins before. It is apparently featured in Von Oppenheim’s book. Can anyone confirm? He was the owner of Queen of Sheba, of the Blunts.
This is with respect to the discussion on the color “yellow” in Arabian horses in the preceding entry. This mare (Pirouette CF) would qualify as “yellow” in Bedouin parlance. This is confirmed in old Arabic dictionaries (“Lesan al-Arab” which dates back to the 14th century AD), and also by Tweedie and Raswan.
Kirby Drennan owns this beautiful in Virginia, IL. He is by Pageant CF out of Anthesis, and a half brother of Lexington CF, below. PS: Everything out of Anthesis CF is outstanding, including Fragrance CF at Michael Bowling’s, Chancery CF with Debbie Jessen and Firebolt CF, also with Kirby.
There are only four mares and filles from the *Nufoud tail female accounted and all are in PA. Linda Uhrich owns AB Dafinah (HHA Manabi x LD Rubic), and Monica Respet owns her daughter, Niina Nufoud. Then there is “Belle” and her daughter Barakah, with me. Jadah Necessity, 1997 gm, is unaccounted for, last with Randal and Mary-Sue Harris in IL. MSF Rubie, 1993 cm (EA Salute x LD Rubic) is I think still with Pam Baker in SC, but she has never had a foal, and is now 23.
Kim Davis bred his superb Kuhaylat al-Krush yearling filly of Davenport bloodlines. She is by by HH Tantalus Krush (Quantum LD x Kashmir Krush LD) out of HH Nadira Krush (RC Janub Krush x Naufali Al Krush). She has 14 crosses to the original desert import Kuhaylat al-Krush *Werdi, and 10 out of 16 ancestors at the fourth generation. If she looks that great at this growthy stage, I wonder how she will look like when she matures fully. I had already written about her when she was born.
From the same Billy Sheets photo collection as the ones in the entry below. I don’t think these had ever been published before.
These are from the photo collection Billy Sheets gave me. For more on this 1960 stallion, click here. Maybe someone can find more about Khalid Hamid al-Dawsari who was living and working in al-Khobar in the 1960s.
I am very proud of this 16 year old mare, which I acquired about a year ago. She is having some trouble conceiving but we will be working on that over the coming year.
I have been trying to get a photo of him. He was Miqhim Ibn Mhayd’s slave and one of his most trusted men. Following the relocation (exile?) of Miqhim from Syria to the Kingdom of Saudi Arabia in the late 1950s, he acted as Miqhim’s agent to acquire several hundreds of desert bred horses, mostly mares, and mostly from the ‘Anazah but also from other Bedouin tribes, as gifts to Saudi royals and other senior officials. As distressed ‘Anazah Bedouins from Syria gradually moved south to Saudi Arabia, they sought public sector and military jobs, registration and immigration documents, and various social and resettlement benefits in their new home country. They were eager to obtain the support and good will of Saudi officials and members of the royal family, and through Miqhim and his sons, presented them with their best mares. This explains the influx of hundreds of Bedouin mares in the Saudi royal studs in the 1960s. Several dozens of these mares found their way to the Saudi Arabian Studbook, where they were registered as “desert bred”. Back in Syria, Farhan al-Olayyan gained increasing influence with the ‘Anazah who had not left yet, to the point of speaking in the name of Miqhim and his sons.…
One of my favorite Davenport mares, based on photos I have seen, and on liking her two brothers: Pomp Charbonneau and Firebolt CF. Photo Christine Emmert.
The handsome 2005 stallion Chatham DE (Huntington Doyle x Gulida Tara DE by Maloof Najid), photo from DeWayne Brown.
The sweet Juans Aana (El Reata Juan x Suuds Juli Aana), a Ma’naqiyah Sbayliyah from the line of Haidee, 26 years old this year, left to what seems to be a good retirement home yesterday. I kept her 16 year old daughter which I still hope to breed this year. If it’s a colt, I will keep him as a stallion. There is nothing better than a Ma’naqi stallion for breeding. I say this, but Hakim ibn Mhayd also said it and wrote it to Davenport, and he knew what he was talking about.
Here you really see the Crabbet influence from his dam blending with the blood of his paternal grandsire Regency CF.
Pedigree here. She is six generations removed from the original desert import *Nufoud from the Kingdom of Saudi Arabia.
I am in absolute awe of DeWayne Brown’s young Ma’naqiyah filly, DaughterofthePharaohs, a.k.a. “Pippa” (Chatham DE x SS Lady Guenevere by SS Dark Prince), photo below by DeWayne. She is a throwback to the old Crabbet type of a hundred years ago. She has crosses to three of the four Gulastra descendents in Al Khamsa, namely Julep, Gulida, and Nusi.
Belle (top) looks the most deserty of all my horses by far, and has the longest ears, Jamr (middle) has the crested neck of his Crabbet ancestors, and Wadha has the most “classic” head and largest eyes of the three. And there is only so much a smartphone camera can do.
This serves mostly as a note to myself: I found an intriguing reference to Farhan al-‘Olayyan in a Syrian hujjah of a horse born in the mid 1980s. I had long thought that Farhan al-‘Olayyan, a former black slave who had acted as an agent of the Saudi royal family for the purchase of hundreds of desert horses from Syria, was active in the 1960s and the 1970s, but this reference extends his activity up until the 1980s. It is from the hand of ‘Aissa al-Sallal, a stallion owner (in Arabic “hassan”, in french “etalonnier”), and in it he mentions that his main stallion, a Kuhaylan al-Khdili bred by Omar al-Huwaydi al-Mishlib, of the ‘Afadilah tribal Shaykhs, was bought by Farhan al-‘Olayyan for expert to Saudi Arabia, but had already sired a Ma’naqi Sbayli stallion in 1984. This is really interesting, and potentially establishes a connection with the horses registered in the Saudi Studbook and know to be coming from “the north”. Worth digging further.
My Syrian friend Radwan — one of the persons from whom I keep learning — told me that desert mares from the Ma’naqi strain were characterizeda, among other features by long ears, large and long mouths that ran deeper into the muzzle than horses from other strains, and horizontally placed eyes, more so than horses from other strains whose eyes were parallel to the axis of the head. This was in connection with a discussion of the precious desert Ma’naqi Sbayli strain known as “Ma’aaniq al-Tanf” (after their location at the Tanf desert border crossing between Syria and Iraq) or “Ma’aaniq Abu Jarn” and its tracing to the Black Marzaqani (al-Marzaqani al-Adham), the famous Saqlawi stallion of the Maraziq of Shammar later owned by Alaa al-Din al-Jabri in the 1960s. These are the horses of ‘Affaat al-Dbeissi of the Fad’aan, a precious marbat which Jean-Claude Rajot and other French and German purists visited in the 1990s in the Syrian Desert (Jens Sennek has stories about that visit to them in his awesome book), but the Syrian Studbook does not show that the line actually traces to the Black Marzaqani. The old chestnut Ma’naqiyah mare which Ibrahim Khamis of Hama owned in the early 1990s…
Ahmad Saffar from Bahrain told me the other day that wealthier Bahrainis from the ahali — the population, so not royals — kept marabet of Shawafan and Wadhnan until the 1970s, when they turned to Thoroughbreds and part bred Arabs for racing. They had obtained these strains from Southern Iraq — presumably the area around Basra and al-Zubayr.
I never believed straight profiles were a defect. Most of the desert Arabian horses I grew up with in Lebanon and Syria had straight profiles. Very early on, I found that quote in Lady Wentworth’s “Authentic Arabian Horse”, perhaps taken from Lady Anne Blunt’s unpublished manuscript; it echoed what I was seeing and learning about around me: “A straight profile should not be a defect if the forehead is very broad, the eyes placed low and very large, and the muzzle small” I would add deep round jowls and prominent facial bones to this description. Together, a deep jowl, a small muzzle and a broad forehead form a head with a triangular shape in both the profile and the face. I am actually striving to breed an Arabian horse with all these characteristics, to make the point that the resulting outcome is an attractive, even “classic” head. Jamr’s head, below, approaches this description. The jowl is unbelievably large, and the muzzle is small. The eyes are placed low, but they are not large (a legacy of his maternal grandsire Dib). The facial bones are somewhat apparent but the face will be drier with age. The overall shape of the head…
This time it was hard to grab good shots of my young stallion Jamr, who kept prancing. His hindquarter is shaping into true old Crabbet style, and each time I see him he looks different. He is 43.5% old Crabbet lines, his dam was double that percentage.
This young filly is the happy outcome of a sustained preservation effort of the Kuhaylan ‘Ajz line of *Nufoud, and of the small number of Arabian horses without Crabbet bloodlines. Her name means “divine blessing”. May she be blessed and continue this precious line of royal horses. Her dam Jadah BelloftheBall (“Belle”) was rescued several years ago by Jeannie Lieb, who drove to Colorado to pick her up after the previous owner had fallen on hard times. Upon seeing her, my father, who was here visiting, told her she reminded him of the daughters of the great asil Lebanese stallion Machaal. He was very fond of these. I will breed her to a stallion from Saudi lines next time.
Jackson Hensley sent this photo of his stunning Monologue CF son, Inaam Al Krush. I had seen him a few months ago, and liked him, but he looks even better in this photo. Reminds me of that iconic photo of Kuhailan Haifi O.A. That Monologue CF, I should have bred all my mares to him.
Wadd, who is now five years old, is maturing into a handsome, masculine stallion in the line of the Kuhaylan Hayfi sires of Craver Farms. He is more reminiscent of his grandsire Javera Thadrian than he is of his sire Triermain CF. Large eyes, broad forehead, prickled ears, bony face, arched neck, curved throat, short back, deep girth, broad chest, sloped shoulder, silky hair, fine skin, solid tendons, short cannon bones, high tail carriage, and good movement. I would have preferred a deeper jowl, a longer hip and a straighter croup, but I can live with that, because when moving the slightly droopy quarter does not show. His daughter has both his many qualities and his few shortcomings.
Barakah Al Arab — fuzzy picture — was born on June 23, 2016, at 4.00 am, a tall filly by Wadd Al Arab (Triermain CF x Wisteria CF by Triermain CF) out of Jadah BelloftheBall (aka “Belle”, by Invictus Al Krush x Belladonna CHF by Audobon CF). She will probably be grey. She is a Kuhaylat al-‘Ajuz by strain, tracing to *Nufoud of the horses of King Abd al-Aziz of Saudi Arabia. She is the first “Sharp” (no Blunt/Crabbet blood in the pedigree) filly of that rare strain in fifteen years, the previous such filly being her own dam, born in 2002. She is also my first “second-generation” foal, her sire Wadd having also been bred by me. I plan to go see her on Sunday.
DA Ginger Moon (“Ginger”, by DB Destiny Moniet x Kumence RSI by Monietor RSI), my 1998 Saqlawiyah of Ibn Dirri is looking increasingly good and has stopped loosing weight and even started gaining some. The last shot is from February 2016, with Chris Yost, who owns Ginger’s 2014 yearling colt El Moubarak BLY.
This is the mare I will be breeding this spring. Shadows Aana (SS Shadowfax x Juans Aana by El Reata Juan), a 2000 Ma’naqiyah Sbayliyah with five crosses to Julyan (and hence, Julep, and Gulastra), three crosses to Antez, and two crosses to Hanad (through his daughter Schiba) has been with me since last July. She will be bred to my Jamr, who will add another fourteen crosses to Antez, ten more to Gulastra and five to Hanad, through Sanad, Tripoli, Ibn Hanad and Ameer Ali. Their conformations are also consistent with each other: both have deep jowls, short backs, and are built like tanks.
Clarion CF (Regency x Chinoiserie by Dharanad), 1991 liver chestnut stallion, is the sire of my Mayassah, and is standing at Kirby Drennan’s, in Virginia, IL.
From my visit to Illinois, last weekend. With Marty Bugg. The first photo is my best shot of a horse in motion in a long time.
This 2003 Kuhaylan Hayfi stallion (Regency x Kiddleywink by Regency) is, according to Jeanne Craver, the most look-alike of his Regency’s sons, and his second youngest.
Debbie Mackie’s Reema CF (Trilogy x Fragrance by Regency) was the prettiest mare I saw in my trip to Illinois over last weekend. She is so refined and yet so well built and balanced.
I was blown away by Pulcher (a.k.a Anecdote CF, by Triermain CF out of Aniq El Bedu by Iliad), while visiting Jackson Hensley and Alice Martin last weekend.What beauty, what type, what personality, what nobility, what “Arabness”, what “desert appeal” (I am coining the phrase) this horse has! Whew! Certainly Triermain’s best son.
This is my 2013 Kuhaylat al-Krush filly, Mayassah Al Arab (Clarion CF x Cinnabar Myst by ASF David). Three years old this summer. I am very proud of this filly I bred for several reasons. She embodies my preservation efforts. The antiquity of her bloodlines is an obvious reason: for instance, Abu Zeyd (Mesaoud x Rose Diamond), b. 1904, is just five generations away. For comparison, he is thirteen generations away in a stallion like Marwan Al Shaqab. The extreme rarity of her lines, too: the stallions Gharis (Abu Zeyd x Guemura by Segario), Fartak (*El Bulad x *Farha), Abu Selim (*Azra x Domow), Tabab (*Deyr x Domow), Royal Amber (Ribal x Babe Azab), and Oriental (Letan x Adouba), were all popular stallions in early Arabian breeding in America, with thousands of descendants in general list Arabians, and she is very much the last Al Khamsa horse that traces to them — and pretty closely too. The effort I went through to make that breeding happen is a third reason. I leased, then acquired her dam and her dam’s sister from Trish Stockhecke in Canada. They were 19 and 20 years old, and had never been bred before. The older…
Oh how much I would give to know the strain and the breeding of this handsome desert stallion. I have a fascination for the mounts of Arab kings, sheykhs and other leaders, and I pay particular attention to the photos featuring them — this one by Gerald de Gaury of King Ali of Hijaz, the last Grand Sherif of Mecca, was featured on Rehanuddin Baber’s facebook page. That’s because I feel that there are specific reasons these horses have been selected to be ridden on official occasions, when photos were taken. I believe that these horses of kings embody a certain ideal Arabian horse at the time, and can be looked at the equivalent of today’s show champions. This ideal may even influence the tastes of the spectators. Notice the broad chest, the deep jaws, the short ears, the strong muscular neck, and the big bone. This is what I hope my Jamr (Vice Regent CF x Jadiba) will look like in a few years.
We need a concerted, sustained c ollective effort to save what remains of the Asil Tunisian Arabians before the French invasion for racetrack pseudo-Arabian makes is too late. This is the gorgeous 1963 Kuhaylat al-Ajuz mare Naziha (Chetoui x Chouka by Ibn and Idara by Ibn Fayda and Selma by Azem and Isaoub by Negrach).
I scanned this archive photo of a famous event among Syrian horse breeders, the Latakia race of 1993, which I attended with my father. Arabians from all over the country and neighboring ones flocked to this national event, the first of its kind on such a scale. This is a photo of the finish line of the eighth and last race, over a distance of 2000 meters. Mokhtar, Basil Jadaan’s black desert-bred Kuhaylah al-Krush, (now in France and turning 30 next year) won the race, with minimal training. Khalid, Mustafa al-Jabri’s Saqlawi Jadran (Mahrous x Khalidah) came a close second. The biggest surprise was the third place (not showing in the first picture, but to the right in the second one) of Hakaya, the black desert-bred Shuwaymah Sabbah of the Sheykh of the Bedouin tribe of Tai. She was 15 years old, heavily in foal, ridden bareback, without formal training, by a bulky Tai Bedouin (the others were ridden by professional jockeys), and without a bit… only a Bedouin halter. Let me write this again to let it sink in: a 15 years old mare, heavily in foal, ridden bareback, without formal training, by a bulky Bedouin, and without a bit coming third in…
Jeannie Lieb took this beautiful photo of Thalia CF (Javera Thadrian x Bint Dharebah by Monsoon). She looks so much like her sire Thadrian, and his sister Cheslea, and his other sister Janet.
I had not seen this photo of Letan (*Muson x *Jedah) before, but now I understand who some of the pretty faced grey Davenport stallions, like Tantris CF, and Quatrain CF, took after. It comes from Dharebah, through Dhrareb, a son of Letan.
Stan, now 10 years old (big boy!) and Haykal, 5 months, are equally handsome and are good friends.
Walid’s mare, Mouna (Kesseb x Mamdouha by Ilamane), a 2000 grey, is one of the last, if not the last, asil Shuwaymah Sabbah in Tunisia (Tosca line back to Primevere, a foundation mare of the Tiaret Stud in Algeria). She is special in that she is a younger mare that is very close to the desert (Barr, Cheikh El Ourbane, Mansoura are very close, and Bango and El Managhi are not far behind). She is also special in that she does not trace to Esmet Ali, who is ubiquitous in Tunisian breeding. She is also rich in bloodlines from the stud of French Navy Admiral Anatole Cordonnier, as it is very rare to find the blood of Cordonnier’s 1959 Ilamane (David x Berriane by Titan) so close up in modern Tunisian pedigrees. Judging from the photos, Mouna looks like she is a strongly build, well-conformed, deserty mare of the style to be found in Syria before the civil war. Walid is selling his mare, and wants her to remain in purist hands. If you know anyone who fits the criteria, please let him know.