This was, until recently, the most beautiful city in the world, in my eyes. Paris, Rome, Chicago, Vienna, Budapest? No.
Kate McLachlan and I were recently exchanging about the treasure trove of Arabian horse related documents stored at the Qatar Digital Library. She has located, among other findings, a translation of the hujjah of the Bahrain import to Poland Kuhailan Afas, in the hand of Carl Raswan, as well as a translation of his full pedigree. Kuhailan Afas was a major stallion in twentieth century Arabian horse breeding. Click to read they are easily legible. There is also a typewritten Arabic hujjah, which Kate also found, and an extended typewritten pedigree in Arabic, both obviously based on a handwritten Arabic hujjah. These Arabic typewritten versions of the hujjah and pedigree are a bit odd, because they give the horse the strain of its sire (Kuhailan Wathnan) in addition to other glaring inconsistencies. Probably typos. “I declare I, o ‘Abd al-‘Aziz al-Abd al-Razzaq al-Sani’, the servant of Shaykh Hamad ibn ‘Isa Aal Khalifa, that I sold the horse known as Kuhaylan al-Wathnan to His Excellency the Mister Bogdan Zietarski and I produced this [piece of] paper for him, about the lineage of the horse to clarify its origin; he is of a young age; born on the 25th of Sha’ban the…
Kees Mol offered me this photo of the mare Faras (‘mare’ in Arabic), and in turn I donated it to the Arabian Horse Archives, on the website of which a copy can now be found. Faras was a 1927 desert bred Kuhaylat al-Krush, gifted by Abd al-Aziz ibn Saud, King of Saudi Arabia to her HRH Princess Alice, Countess of Athlone and the Earl of Athlone during their visit to Arabia and Bahrain in 1938. She was from the most precious and sougth after strain of Central Arabia. Peter Upton’s book “the Arab Horse” has a copy of her hujjah, written in Ibn Saud’s hand. She also appears to have been a producer of horses famed for their speed and endurance. Despite all these credentials, I am not sure she would be accepted in a halter show for Arabians today (or even thirty years ago). Most people familiar with Arabian horses in the West, and increasingly, in the East too, would not believe her to be an Arabian: where is the dish, the two-level profile? Where is the bird-like eye, popping out of its socket? the croup flatter than a counter top? the swan-like arched neck? the meaty face? the…
I just fell upon the photo of this superb younger mare of the Jilfan Dhawi strain from the breeding of Fabienne Vesco. Fedaia Beni Sakr is a blend of mostly Egyptian, Tunisian and Algerian bloodlines, with a hint of old French blood. Such a deep girth and nice hindquarter on this mare, on top of pointy ears and the black skin around the eyes.
In an earlier thread on Dwarka, Astrid Moegling shared the following photo print of a horse that was captioned as being of Dwarka, located on the Meisterdrucke Fine Art Prints website: Astrid asked the additional question of: “And is it really Dwarka? I thought only one of his hind feet was white? On the other hand, the head seems to be the same (including the makeshift halter etc) as in the headshot above. Probably taken at the same shooting.“ I think it is him! The rope halter is definitely similar, and the star matches other headshots of Dwarka where his marking is visible. There are precious few photos of Dwarka in full, and some of them are very poor in quality, but we can compare with a few of them to determine that, yes, Dwarka does, in fact, have two white hind socks, both visible from the near side, but with the partial sock on the off-side hind only extending slightly around the front to to be visible from the off side.
** Note: this post contains a picture of a dead horse’s partially dissected skull. ** Ginnie Pope sent me this scan of an article related to Dwarka, published May 16th, 1923 — two years after Dwarka had passed away — within The Illustrated London News. The article, “A Problem For Horsemen: The “Blind” Nostril” was by W. P. Pycraft, Author of “The Infancy of Animals,” “The Courtship of Aimals,” etc. etc. This was in fact William Plane Pycraft, an Englishman and a zoologist that wrote extensively on natural history while involved with the British Natural History Museum. The article includes a photo of Dwarka from his very last days, as well as a postmortem shot of his skull which is used to compare against reconstructions of earlier protohorses. It also discusses the evolution of the horse and its functional anatomy. Gruesome as it might be, it’s cool to find out that another of our desert horses played a role in the advancement of scientific education. Photo under cut, but if it’s too small for you to read the font, you can access it via dropbox by clicking this link.
This morning, Lyman Doyle sent me several videos of Pippa, which he had taken in the summer of 2018. Pippa (her registered name Daughter of the Pharaohs) is a three year old Ma’naqiyah Sbayliyah, by Lyman’s stallion Chatham DE out of SS Lady Guenevere, by SS Dark Prince), who belongs to DeWayne Brown. I leased her from DeWayne last year, boarded her at Lyman’s in Alfafla, OR, and attempted several breedings to Lyman’s stallions Kashgar, Tamaam, and Buckner. We will be trying again this year. The lineage traces to the Sba’ah Bedouins of North Arabia, as it should for this precious and highly prized strain.
This is yet another photo from the same collection at the Arabian Horse Archives, showing the mares of King A. A. Aal-Saud at his stud of al-Kharj. Notice the pretty head of the bay mare on the left, and the plain head of the chestnut one near, and the convex profile of the bay one in the center. Clearly, all desert mares, all royal mares, and all different. There was not one single type.
From the website of the Arabian Horse Archives comes this photos of a handsome desert bred stallion at the stud of King Abd al-‘Aziz Aal Saud of Saudi Arabian, in 1946 or 1949. Notice the very dark skin around the eye and the muzzle, a distinctive trait of authenticity (asalah). This photo is “part of a series of 120 primarily glass slides taken by Joe Buchanan’s father, Robert Earle Buchanan, a professor of Agriculture at Iowa State University, on trips to the Middle East in 1946 and 1949. In the Comar Arabians collection of Garth and Joe Buchanan. Now held by Carolyn and Dick Hasbrook, Twinbrook Arabians, Ames, Iowa.”
This precious image of a Bedouin in Saudi Arabia, recently uploaded on the website of the Arabian Horse Archives is “part of a series of 120 primarily glass slides taken by Joe Buchanan’s father, Robert Earle Buchanan, a professor of Agriculture at Iowa State University, on trips to the Middle East in 1946 and 1949. In the Comar Arabians collection of Garth and Joe Buchanan. Now held by Carolyn and Dick Hasbrook, Twinbrook Arabians, Ames, Iowa.”
Photographer Kevin Bubriski in a new book: “Legacy in Stone: Syria Before War”, which the blog “Roads and Kingdoms features here.
Saraly El Shahin (Ansata Aly Jamil x Saree by Salaa El Dine out of Selmah by Shakhs out of Sappho by Bleinheim) is, at 24 years old, one of the most precious asil mares in Europe. She is with Laszlo Kiraly in Hungary. One of the very last asil mares of the precious strain of Hamdani Simiri, tracing to the mare Selma of Abbas Pasha, she has a predominantly Egyptian pedigree, with the addition of two of the desert bred stallions of the Courthouse Stud, in England, Nimr and Fedaan. She has a three year old daughter, which is not currently in a preservation program.