Recently, I was looking at the list of horses with a line or more to the 1911 Crabbet stallion Nureddin II (Rijm x Narguileh), and a quick look at his offspring led me to believe that there were none left who only traced to Al Khamsa-accepted foundation horses plus Nureddin II. In other words, I thought there were no living descendants of his which, if Nureddin II were ever to be accepted by Al Khamsa, could be added to the Al Khamsa Roster. I was wrong. They may two or three left. Some of the last otherwise Al-Khamsa-eligible Arabians with a line to Nureddin II traced to the ‘Ubayyah Sharrakiyah mare Laida and those of her descendants who were bred at Anchor Hill Stud, from the tail female of the desert-bred Davenport mare *Abeyah. These no longer have otherwise Al-Khamsa eligible offspring. But there is another line of horses that trace exclusively to Al Khamsa-accepted Arabians plus Nureddin II, and this one might have a handful descendants still living. This is the 1970 mare GC Faseema (Fa-Rousse x Raseema by Indrage out of Kaffa by *Sunshine), a Kuhaylah Hayfiyah tracing in tail female to the desert-bred mare *Reshan. Her grandsire,…
I am pleased to see Thea Isis featured on Edouard’s site and I could not resist offering a few more images of her. The first is of her in a pasture, the second is of Thea Isis in 1983 at Carol Lyon’s farm in the spring with her filly LD Abba Isis sired by the Babson stallion Ibn Mahrouf (Mahrouf x Serr Abba), and the third is a close up of her head from the second photo. I used this close up of Thea Isis’s head in my presentation in Minnesota on desert Arabian type because I wanted newcomers to appreciate how beautiful an Arabian can be with very little hint of a dished face. Note not only the beautiful large dark eye but the harmonious placement of the eye in relation to the ears and the nostrils. These are the “Chorus Girl” eyes that Homer Davenport wrote about. Thea Isis was a timelessly magnificent mare in the same way as the stallion Javera Thadrian also was. I also used his image in my Minnesota presentation because when one sees these images they first see the original magnificence of the traditional Arabian, the timeless look, without my even identifying the…