I finally found a couple good photos of Marwah, the Saqlawiyah Jadraniyah of Ibn Amud. The top photo was taken at the entrance of Basil Jadaan’s old farm. Marwah was sired by the grey Hadban Enzahi of Fazaa al-Hadi al-Jarba, the son of the old bay Hadban Enzahi of Fazaa. Both Hadbans stood in Garhok in North Eastern Syria, and were widely used by the neighboring Arabs. She was small, but otherwise impossible to fault. Her croup and hindquarters were among the best I have ever seen in desert-bred Arabian horses. NOTE: Please, if you feel the urge to share on social media, link to the entire blog article, but don’t download and share as if the photo were yours. I don’t want Facebook to own these photos or others.
Both taken by an unknown photographer at the old farm of Basil Jadaan. He had a lot of style, and when ridden, he would prance sideways rather than walk straight. Critics would fault his sinuous, snake-like middle of the body, but he did not transmit that.
The more time passes, the more I cherish those precious few horse photos that also happen to show a glimpse of the people around the horses. I used to believe that good horse conformation shots should not show the handler, and certainly not the people in the background. When they did, I would relentlessly crop the people out. I now realize that the people, some of them now gone, are an integral part of the story the photo is telling. Below, a filly at Mustafa al-Jabri’s farm in 1993, with Radwan Shabareq and Kamal ‘Abd al-Khaliq standing in the background, and me sitting on the grass. My father wanted to buy the filly, and took many photos of her. Below, a youthful Chris Bauduin on Murad Hadiya in 1994. In the background, from left to right, Jean-Claude Rajot, myself in the green jacket, a lady whose name I forget and Louis Bauduin near Nemours, France. Below, my father standing near his beloved Ubayyan Suhayli stallion Dahess, then standing at the Jabri farm outside Aleppo in the mid 1990s. And below, me taking notes behind a young Jabri mare whose name and strain escapes me now. Either a Hamdaniyah or a…
I spent the morning digging through old photos, which also bring back stories. I like this photo so much. It features a Tai Bedouin horse breeder, Muhammad al-‘Abd al-Sulayman al-Rhayyil, putting one of his toddler sons on his Saqlawiyah mares near Al-Qamishli, North Eastern Syria. The photo belongs to the sons, now grown men in their thirties and fourties. I believe it is from the early 1980s. The mare is a Saqlawiyah Jadraniyah from the breedeing of al-Rhayyil. He or his father obtained what would have been the granddam of this mare in 1952 from the family of the Shaykh of the Tai, Abd al-Hamid (a.k.a Hamid) al-Talal al-‘Abd al-Rahman. The latter got the line from the family of the owner of the marbat, Hasan al-‘Amud, the Shaykh of the ‘Amud section of the Northern Shammar. According to ‘Abbas al-Azzawi (in his encyclopedic book “The Tribes of Iraq”, in Arabic), who quotes the Shaykh of the ‘Amarat Bedouins Mahruth ibn Haddhal, the ‘Amud had obtained the prized original mare in war from the Frijah section of the Ruwalah. This piece of information makes this line one of the most authenticated Saqlawi lines in the desert, because the Frijah are the…
The first one was taken at the desert festival of Palmyra in the mid-1990s, so before its destruction by ISIS. You can see Mobarak in Bedouin gear, standing by one of the tower tombs (now destroyed), next to a female performer in traditional Bedouin costume. The second photo was taken at Basil’s old farm in the suburbs of Damascus. It is now the site of a hotel. Both photos belong to Basil Jadaan and were first published on Hazaim Alwair’s web page, now defunct.
Christine Emmert is a great photographer of horses. She took this photo of Bonnie Duecker’s Davenport gelding Mai Raisuli (Indie Star x Pretty Fancy by Lysander). You see the resemblance with Anita Westfall’s iconic photo of Lysander (below): the ears, the jaws, the forehead.