Why I like Brimstone’s picture better*

One of the signs of ‘asalah‘ (purity, authenticity) in Arabian horses is the prominence of the lateral facial bones (see the two arrows in the photo below); this is a sign of authenticity (asalah) and ancient (‘itq) breeding. These bones are prominent and protruding only in Arabian horses. In Arabia, horses with these bones are chosen to become breeding stallions; the more protruding these bones, the more this is a clear indication that a horse is asil.  This is even an essential condition of asalah. This is why I like this horse’s picture better than other one [i.e., Siglavy Bagdady VI]. Written by Pure Man and translated by Edouard

Robert Mauvy’s teachings and his disciples

My friends Jean-Claude Rajot and Louis Bauduin have been breeding Arabian horses for a long time. They are the students and friends of the late Robert Mauvy. Robert Mauvy is, simply put, the Westerner who came the closest to understanding the Arabian horse and to breeding it as its original custodians, the Bedouins of Arabia, bred it. Forget Carl Raswan, forget Abd al-Qadir al-Jazairi of Algeria, forget Prince Mohammed Ali Tewfik of Egypt. Only Anne Blunt, in the later years of her life, equalled Mauvy’s ‘art of breeding’. While Mauvy is little-known outside of France and North Africa– despite his longtime connections with some of the fathers of the Asil Club movement in Europe, such as Foppe Klynstra, I am certain that his fame will skyrocket when an English translation of his small yet gigantic book “Le Cheval Arabe” will become available. This masterpiece was my Arabian Horse Bible, from age 10 until today. One of the key teachings of Mauvy, as laid out in his book, is that the Arabian horse, like all things living (plants, animals, and even humans) is the outcome of the environment in which it is bred. If you take it out of its original environment, it will live certainly live…