Category: General

My favorite city in the entire world: Shibam, in Yemen, the “Manhattan of the desert”, and it’s six-centuries old mud skyscrapers. One day, I will go back there, and give back to Yemen and its wonderful civilization and people a sliver of what it has given me.

“And a crest like a tall frankincense tree set on fire by an offender” (“wa-saalifatun ka-sahuuqi al-Labaani adrama fihi al-ghawiyyu al-su’uru”) The vision of a blazing frankincense tree is fitting for a chestnut horse.   Below, a frankincense tree:

To the upper right is Bab Tuma, one of Damascus’ Christian neighborhoods, with the Armenian Catholic church standing out. In the upper left is the neighborhood of al-‘Amarah. In the lower right is the Jewish quarter, ‘hayy al-Yahud’. Note the inner courtyards of many of the houses. In the center, the Mariamite church; in the center left is the prestigious Maktab ‘Anbar, which at the time the photo was taken was school for the Damascus elite, and before that the house of one of the city’s Jewish notables, ‘Anbar. Below, the women’s courtyard of Maktab Anbar as it stands today.

The striking difference of the two stallions Dhahmaan Hoobeishi and Montasar demonstrate the large range of heads of the Arabian breed. The “modern” “dished” face with a pronounced jibha stands in opposistion with the more konvex profile of a “desert bred” stallion. There are many statements that the Bedouins did not favour horses with a dished profile, because it hinders air flow and results in horses not fit for speed and endurance. In order to investigate this further, I made an x-ray of Montasar´s head, that clearly shows, that this kind of profile of the head does not interfere with airflow at all. Montasar, by the way, was a fast and never tiring riding horse. There are also descriptions of the head of the Arabian by Upton and Raswan, indicating that a head with pronounced jibha was favoured for by the Bedouins. More on this topic can be found in the following PDF (an excerpt from my book BEDOUIN HERITAGE – The World of the Arabian Horse) The Arabian´s Head

In order to start a discussion on the controversial topic of the Arabian´s head two photos of very different stallions of the Dahman Shahwan strain follow: the dark bay Dhahmaan Hoobeishi (Kuheilaan Umm Zorayr Al Dheleem X Dhahma Umm Wajnah) 1998 from the Royal Stud of Bahrain: Grey straight Egyptian stallion Montasar (Madkour X Maymoonah) 1981 – 2009, breeder and owner the Seidlitz family, Germany:  

This spring Wadha’s mate will be the Bahraini stallion Shuwaiman Al Rais, thanks to Jenny Lees. He is seen here competing in endurance at Windsor, UK. Other recent photos that show the breadth of his chest, the length of his neck and that of his forelocks, the depth of his ribcage, the length of his hip, and his good disposition.

This spring will be the time to breed my Ginger, who is now at Bev Davison’s in Idaho. A strong contender is Bev’s junior stallion, Subanet Jabbar SDA (Summer Sonnet SDA x Bint Bint Subani by Ibn Saafaddan), a tail female Gulida, and an even blend of old Doyle and Babson bloodlines. I find it almost miraculous that this female line of Saqlawis to Ghazieh has more survived 170 years outside the desert first in Egypt, then in England then in the United States, uninterrupted, in asil form.

The first picture features Dixie Cup (Prince Hal x Dixie), which must have had one of the nicest set of ears on an Arabian of Davenport bloodlines. Abu ‘Ubaydah’s “Book of Horses”, written ca. 803 AD, has more than eighteen description of horses’ ears, and of features Arabs appreciated in them, long, upright, pricked, finally shaped, with soft fur inside, like Dixie Cup’s. The second photo is of Viola (Prince Hal x Cressida), and shows her beautiful flowing forelocks. Forelocks were really important to Arabs, and Abu ‘Ubaydah’s “Book of Horses” has no less than twelve descriptions for them. Ancient Arabs composed and recited poetry about forelocks, which they liked to be long, smooth, abundant and covering horse’s foreheads and even eyes, like Viola’s.  

These 1929 photo depict the entrance gate of the royal palace of Guzana (modern Tall-Halaf, in Northeastern Syria), capital of the Aramaean kingdom of Bit Bahiani. King Gabara of Guzana built the palace in the Xth century BC (so three thousand years ago). The palace was discovered by Max Von Oppenheim (of “Die Beduinen” fame, for Arabian horse enthusiasts) in 1911, who dismantled it and took it to Berlin with other artifcats (below) where they was displayed in a museum especially dedicated to Tell Halaf. In 1943, a British warplane dropped a phosphorus bomb on the museum, which burnt down to the ground. The royal gate and all the other artifacts were smashed into dozens of thousands of pieces, some of which were stored away, awaiting their reconstitution. Before leaving Syria, Oppenheim had casts made of the entrance gate of the palace (and some of its sculptures), which now form the entrance of the Aleppo Museum. I saw it there several times (below). The casts are a poor, plain copy of the originals. Between 2001 and 2010, some 30 sculptures were painstakingly reconstructed from 27,000 fragments. The reconstruction of the palace gate will be completed in 2025. That’s 92 years after…

For several years, Hansi ran the same ad about Serenity Arabian Farms in the Khamsat magazine, featuring some of the several hundred horses she and her first and second husbands Bradford Heck and William Melnyk bred over the course of more than four decades. I recall being in awe of three stallions in particular (photos from this ad below): Serenity Sharaf, with a depth of girth like no other stallion; his brother Serenity Lamir, who was an ode to balance, and above all, racehorse champion Serenity Mamlouk, whose photo below exudes power, balance, perfection of conformation, nobility and … these staring sparkling eyes. Hansi was indeed a master breeder (and master breeders in this country can be counted on the fingers of one hand), with an eye to functional conformation like no one else’s. As a race horse trainer and an owner of horses that have excelled in halter, flat racing and endurance alike, she knew what makes a superior, athletic performance horse, and even more so, she knew how to breed one, working with a closed pool of Egyptian lines. I am particularly worried about the fate of her immense and immensely precious collection of photos, letters, documents and books,…

From an Al Khamsa news bulletin: “The Arabian Horse community worldwide lost a fierce advocate this morning. Hanna Luise Heck-Melnyk, known to all as Hansi, passed away at 11:43am EST, Sunday January 14, 2018, at her farm in Hawthorne, Florida, at the age of 86. Founder of Serenity Arabians, Hansi has been a long time supporter of Al Khamsa, Inc. The summer 2018 issue of the Khamsat will feature Hansi, her breeding program, and her accomplishments.” Hansi introduced me to western Arabian horse breeding and breeders, and instilled in me the passion of defending asil bloodlines. We met in 1994 and remained friends since. This page is a tribute to Hansi, her horses, her legacy, and her achievements.

Ten years already. I can hardly believe it. I feel so blessed for the old friends it has allowed me to keep in touch with, and the new friends it has allowed me to make, from around the world. Above all, I feel blessed for the collective knowledge and memory gathered here. One day we will all meet face to face, from Germany and the USA and France and the UK and Chile and Hungary and Canada and Croatia and Tunisia and South Africa and Australia and Spain and Pakistan and Belgium and Morocco and Egypt and Lebanon and Iraq and Saudi Arabia and Egypt and Iran and Israel and Palestine and many, many other places around the world. And we can all already tell what will be on the menu of discussions.

Don’t you love that strong, powerful neck and broad chest. Shueyman Redjem exudes power, and is reminiscent of his sire Murad Dahman (Ahshwan x Murad Hadiya by Ourki x Hamada) whom I rode across the fields and trails of Burgundy in the summer of 2010, with Jean-Claude Rajot. I also rode his dam Shueymah Sabbah (Mokhtar x Murad Haouda by Cherif x Hamada). r

“If you’ve ‘eard the East a-callin’, you won’t never ‘eed naught else.” No! you won’t ‘eed nothin’ else But them spicy garlic smells, An’ the sunshine an’ the palm-trees an’ the tinkly temple-bells; On the road to Mandalay . . .

The neighborhood of al-Darb al-Ahmar. Photo from the Facebook page Ahl Masr Zaman.  

The three imported mares of Jenny Lees (her photo): Hamdanieh Habiba, Shuwaimeh Bint Warda and Kray Mohammedia

Wadhah and Belle are now boarded at a farm near my home where the children can enjoy them and see them more often. They will return to Pennsylvania for breeding to the Bahraini stallion Shuwaiman Al Rais this spring.  

A beautiful photo of the interior of one of the few remaining wonders of Syria still standing.

Different theories on the origin of the Arabian horse exist. The range is from a wild Proto-Arabian that lived in Arabia and is said to have been domesticated by the Bedouins, to theories that an already domesticated horse reached Arabia from outside. Some authorities maintain that the Arabian horse came from Egypt and compare the pictures of horses in ancient Egyptian art with petroglyphes (stone carvings) in Arabia and the modern Arabian horse. But except from the resemblence of those three groups no other proof can be found. The Arabian vocabulary concerning horses and horse-gear (saddles and so on) is on the other hand derived from Arameic or Persian words. Furthermore genetic findings, especially on maternal DNA (mtDNA) suggests that the Arabian horse has its origins from different sources. On the latter I have attached an excerpt from my book BEDOUIN HERITAGE. Click here for more: science Assyrian horses on the so called Lachisch relief Stallion Musannan Awaad (Rabdan Baher X Musannah Ghazwa) 2011 in Bahrain at the stables of Prince Mohammed

I have visited many great cities around the world, and nothing comes close to Aleppo before the Syrian civil war. Fes, in Morocco is a distant second. Photo from the Aleppo Photographic Museum

After several centuries of existence, the last French National Studs were sadly disbanded last year. However, bad things can sometimes lead to lucky opportunities. Many of the regional stallion stations and National Studs have kept listing of stallions at stud, details of imports, reports of missions to purchase foundation oriental horses, and those are now available for public review at the National Archives. I hope in the coming months to provide more information about them, recover our forgotten heritage and give more insight about some of the most important European foundation horses. Malheureusement, après plusieurs siècles d’existance, les derniers vestiges des Haras Nationaux français ont été dissous l’année dernière. Néanmoins, un événement aussi triste peu aussi parfois amener son lot de surprises. De nombreuses stations locales et certaines de nos grandes écuries nationales ont maintenu pendant toutes ces années des listing détaillés des étalons à la monte, de nombreux détails sur nos importations, les rapports sur les achats en Orient etc. Ceux-ci ont été regroupés et sont désormais accessible via les Archives Nationales. J’espère dans les prochains mois pouvoir vous donner de nouvelles informations à ce sujet, renouer avec notre héritage oublié et récupérer de nombreuses données sur certains de…

The following excerpt from the book BEDOUIN HERITAGE – THE WORLD OF THE ARABIAN HORSE deals with a question of importance: violence in Bedouin society. The horse made an important contribution to Bedouin warfare and raiding and has thus increased violence. click here  Wadi Rum, Jordan

Arabic Poetry, the only art of the desert, reflects the close relationship between man and his horse. In the book BEDOUIN HERITAGE – THE WORLD OF THE ARABIAN HORSE this is discussed at length. Here is an excerpt: Powerofpoetry To order this book, please go to       www.arabianheritagesource.com! Price 63,50 € (includes shipment worldwide), payment via PAYPAL.  The power of Bahrain: Hamdaany Zaizoom (Saqlaawy Saba´an X Hamdanieh Khaznah) 2004

Jeanne Craver just shared this short note signed on a White House card by US President Theodore Roosevelt to the US ambassador to Turkey. The note reads: “June 13 1906. Dear Mr. Leisheman Mr. Davenport is an awfully good fellow in every way. I hope that you can make a special effort to help him in his arab horse scheme; and any courtesy you can show him I shall accept as personal. Sincerely yours T. Roosevelt.”

Wonderful photos of a time long gone.  

Al Khamsa is updating its online roster to include  registrations from 2012 and 2013, and I was very happy to see two of my own breeding feature online: both Mayassa Al Arab and Jamr Al Arab now have their own pedigree page, and it’s very rewarding to see their old American pedigrees on an Al Khamsa page.

The Saqlawiyah Jadraniyah mare Yemameh/Yamama was the dam of the Crabbet foundation stallion Mesaoud, and the progenitor of the female line of Saqlawi Jadran that runs through the world famous Mahroussa and her offsprings at Prince Mohammed Ali Tewfiq of Egypt, many of which were exported to the USA and Europe and founded important families there. Yemameh/Yamama (same spelling in Arabic, different pronunciation  depending on whether it’s pronounced in Egpytian Arabic or Classical Arabic) was  from the breeding of Ali Pasha Sharif and went to the Khedive Abbas Hilmi II in his Qoubbeh/Koubbah stables. Wilfrid Blunt entered the following entry in his diary: “11th Jan. [1896] — Took Anne and Judith to Koubbah to see the Khedive. He received us with great empressement… and showed us his stud. He has got together some nice mares, but nothing quire first class, except two of Ali Pasha Sherif’s, one of which is our horse Mesaoud’s dam, a very splendid mare, with the finest head in the world. He has bred some promising colts and altogether the thing is well done.” The veterinary records for the Khedivial Stud offer the following additional information on the mare’s production: 2 July 1900: “The colt ibn Yamama is…

A very exciting development is the digitizing and online publication of eight Middle Eastern library collections, the result of a collaboration with the French National Library. There are so many Arabian horse related treasures in the French National Library, and I can’t help think how many more lie in the Middle Eastern ones.

Among the foundation stock of Old French Bloodlines, I would like to discuss one specific horse : the stallion Emmon born in 1819. Some have considered his blood as “Asil” for decades. But, does he really fit the “Asil” definition? What do we actually know about this horse? Honestly not much. The first french studbook describe him as : “a grey 1819 Arabian stallion, bought in England by Strubberg Senior and de Bony”. He stood at Pompadour from 1825 to 1836 and died in January 1837. Can we trace him to “Bedouin breeding of the Arabian peninsula”? No. No data from his breeding source is given in the French Studbook, nor inside the Journal des Haras. Indeed, he is sometimes listed as an Arabian horse…but also, he is sometimes not. Although, one must confess that French authorities did their best to try to classify their “oriental imports” (from Persians to Barbs), having him or any other horse listed as “Arabian” is not enough to prove he was “Asil”. We shall agree that the knowledge of “oriental breeds” was lacking depth at that time. The difference between Thoroughbred horses bred in England and orientals imports was also suffering great troubles. They…

 Lieutenant-General Sir Frederick Sleigh Roberts was the commander of the British expeditionary forces — the Kabul Field Force — that fought the second Anglo-Afghan war from 1878 to 1880. General Roberts led his 10,000 troops, including 2800 British soldiers, on the legendary march from Kabul to Kandahar, where he defeated the forces of Ayub Khan. The war horse General Roberts rode on the 20 days march from Kabul to Kandahar and on much of the campaign was Vonolel, a desert-bred Arabian stallion (photo below, at the National Army museum). Vonolel ranks high in the pantheon of history’s most famous war steeds

The French military airport in the foreground, the Euphrates and its modern bridge in the background. The bridge was built by the French in 1927 and destroyed by ISIS in 2013.

I will never, ever tire of watching that mythical photo of the Kuhaylan Haifi stallion, Monsoon (Tripoli x Ceres). Thank you Anita Westfall, for taking it. My Thalia (Javera Thadrian x Bint Dharebah by Monsoon) is a Monsoon granddaughter.

This week, my beautiful Ginger (DA Ginger Moon) left for Idaho, on lease to Bev Davison. She will be missed, but I could not give her the chance she deserved over the past three years, for lack of a suitable stallion, and competing breeding projects (and programs). Her 2015 miscarriage after a successful breeding to the aged Bahraini Mlolshaan stallion in Michigan still haunts me. Bev will attempt a breeding to Buckner (photo below), on lease from Rosemary, Terry and Lyman Doyle, and then to one of her handsome Babson-Doyles, if all goes well. Buckner is double Greggan and double Subani, and it does not get better than that!

This beautiful photo of Pericles appeared on Facebook yesterday, courtesy of PG Gregory.

So much has been said about the five lumbar vertebra of the Arabian horse. Many authors still mention it up till now. But History and science reject this assumption. This feature was described by Auguste Rochau, then by his pupil André Sanson. Both of them were French veterinarians in the second half of the nineteenth century. This is a summarized translation of what Sanson said on the topic : — The aryan horse, with a straight frontal bone and rectilinear nose bones and six lumbar vertebra is from Asia. — The mongolic horse, with a convex profile and nose bones and five lumbar vertebra is from Africa.  Here under is the translated text of Sanson ( extract from Denis Bogros’s book) [Both brachycephalic, one has a flat frontal bone, rectilinear nose bones and six lumbar vertebra in the spinal column, with seven cervical , eighteen dorsal and five sacral. The other has a convex or rounded frontal bone, slightly curved nose bones, and only five lumbar vertebra, and seven cervical vertebra, eighteen dorsal, and five sacral;  and this one’s lumbar vertebra are not only different from the others by their inferior number, but they differ also by their transverse apophyses’s shape…

One of Hungary’s veteran Asil Arabian horse breeders, Laszlo really needs no introduction. Laszlo owns and edits a horse magazine owner and editor Lovas Nemzet, an historian of the breed, and a believer in the universality of Asil bloodlines. Suffice it to say he owns some of the last lines to Babolna’s Siglavy Bagdady VI and 25-Amurath Sahib, and the very last line to Abbas Pasha’s Selma that runs through Musgrave Clark’s Courthouse Stud, and that he has been successfully breeding them to some of the best Egyptian lines in addition to the Davenport bloodline of Delicate Air.

It is an honor for me to publish my thoughts and my experiences on the Daughters of the wind Blog from time to time. At the same time an honor and pleasure  knowing and learning from  the opinions of other people about our beloved Arabian horse. One of my experiences about the Arabian horses was a film from Bahrain. A long time ago, at the turn of the millenium, in 1998 or 1999 I received it as gift from a German friend, Jens Sannek. The film was made by an Austrian breeder,  Anton Tucek in 1985 (!). Today I learned that Anton Tucek died in 2004. I spoke with his very kind widow, who agreed to let me publish the recording. Anton Tucek was a breeder of Asil Arabian horses. I’m sorry I didn’t know him personally, but I knew about his horses. He imported two stallions from Bahrain in the 1980’s. One of them was Sarhan, whose 26-year-old son (out of an original Iranian mare) is still living, now owned by the family. It is not easy to identify the horses in the film. I only can guess the names of someone, but I hope there are people who knows them exactly. I…

This beautiful lithography of some of the stallions imported by the famous greek dealer Nicholas Gliocho in the 1820’s can be seen at the Tylers Museum in Netherlands and online here

Le débat autour de l’origine exacte et de la genèse du pur sang arabe date approximativement du XIXème siècle, en Europe du moins. L’hypothèse d’une origine purement arabe suppose l’existence d’un cheval préhistorique local dont descendrait presque sans changement le pur sang arabe actuel. Carl Raswan entre autres défendait ce point de vue. L’autre hypothèse rejette l’idée d’un cheval arabe préhistorique et situe l’arrivée du cheval dans la Péninsule arabique sous forme domestiquée très tardivement , vers le premier siècle après JC. Les premiers chevaux de par leur rareté auraient eu un statut prestigieux, semi divin, avant d’être utilisés pour la guerre ou la chasse. La croissance des effectifs, très lente, est évaluée à travers des inscriptions détaillant le nombre de fantassins, chameliers et cavaliers ayant participé à des batailles antéislamiques. Christian Robin et Saud Soliman Theyab ,(chevaux et cavaliers arabes, ouvrage collectif) résument ainsi une énumération d’inscriptions découvertes au Yémen et dans le Hadramaout :”Cette longue récapitulation n’est pas sans intérêt. Au Ier siècle les chevaux se comptent en unités; au IIIème siècle c’est par dizaines; enfin au IVème siècle c’est par centaines. Le cheval, très rare en Arabie méridionale au début de l’ère chrétienne, devient relativement commun trois…

A veterinarian by training who worked with Veterinarians without Borders in the Sahel, Yassine Jamali now breeds Arabians, Arab-Barbs and North African greyhounds (Sloughis) at his family farm in central Morocco, on the banks of the Oum er Rabiaa river. I have been enjoying and appreciating Yassine’s online contributions on the breeding of Arabian and Barb horses and Sloughis for many years now. His thoughts on function driving form in conformation and temperament, on the breed’s adaption and resilience to evolving market needs, and bringing equine history to bear, resonate with me. I am excited at the opportunity to share them with you here.

I extended the pedigree of some foundation horses of the Bahrain royal studs by a few generations drawing on information from Vol. 1 and 2 of the studbooks, and other sources (like the pedigree of South Africa’s Tuwaisan). You can see it on allbreepedigree here. The only Bahraini sire line now extends beyond the Shawaf stallion “Felhaan Alshawaf” to his sire “Dhahmaan Aloud” (al-Oud meaning “the ancient”), which must have been active towards the end of the XIXth century. Other than being the sire of “Old Jellabi Speckled”, a.k.a. Jellaby Almarshoosh Alawal, b. 1914, “Felhaan Alshawaf” now appears as the sire of  the Jellabieh that is the maternal granddam of the three foundation Jellabi brothers (Jellaby Alwasmiya, Jellaby Sakhir, and Jellaby Najib).  In turn, “Old Jellabi Speckled” is the sire of “Wathnan Bay” a.k.a. “Wadhnaan” (photo below).

Another series of amazing videos of the presentation of Bahraini horses at the WAHO conference in Feb. 2017. Thanks to Chuck Saltzman for sharing. This is part 5, sharing in no order.

Jessie Heinrick send me these nice photos of her Wadd, who seems to be enjoying the vast expanses of the Oregon High Desert. He has never looked so happy, and that makes me happy for him. Thank you, Jessie. I hope he will show his worth with your new mares. The last and smallest photo in the evening light, shows similarities with the XIXth century Arabian horse lithographs of Carle Vernet and Victor Adam, very much in the style of his mother Wisteria: an arched neck, a powerful shoulder, a broad chest, a deep girth (deeper than many of his relatives I have seen), a short back, a round barrel and that small Wisteria croup.

Third mare not in foal this year, after Thalia CF and RL Zahra Assahra. SS Shadows Aana is at, 17 years old, the youngest of the three, is a built like a tank and is a personal favorite despite her lameness. I long for a colt by her. And a filly. Why is it that the best mares have the hardest time conceiving?

One of Hungary’s veteran Asil Arabian horse breeders, Laszlo really needs no introduction. Laszlo owns and edits a horse magazine owner and editor Lovas Nemzet, an historian of the breed, and a believer in the universality of Asil bloodlines. Suffice it to say he owns some of the last lines to Babolna’s Siglavy Bagdady VI and 25-Amurath Sahib, and the very last line to Abbas Pasha’s Selma that runs through Musgrave Clark’s Courthouse Stud, and that he has been successfully breeding them to some of the best Egyptian lines in addition to the Davenport bloodline of Delicate Air

“Le Naceri”, Nicolas Perron’s (1798-1876) classic translation into French of the masterpiece of Andalusian author Abu Bakr Ibn Badr Eddine Ibn al-Mundhir al-Baitar, who was master of horses and head veterinarian of Mamluk Sultan Al-Nasir ibn Muhammad ibn Qalawun (1245-1341) is now available in Gallica, the digitalized archives of the French National Library. The publication of Perron’s translation caused quite a sensation in nineteenth European equestrian horse circles, and helped spread the idea that Arabic veterinary science and horsemanship was the most advanced of its time. The full reference to the book is “Abu Bakr ibn Badr, Le Nâçerî. La perfection des deux arts ou traité complet d’hippologie et d’hippiatrie arabes. Traduit de l’arabe d’Abou Bekr ibn Bedr par M. Perron. Paris, Bouchard-Huzard, 3 vol., 1852, 1859 et 1860.” The original manuscript titled “kitab kashif al-wayl fi ma’rifat wa ‘ilaj amrad al-khayl” appears to have been written in Cairo for the Mamluk Sultan in 1333 AD, and is available somewhere in Istanbul. A later copy from the XVIIIth turned up at Christies’ a few years ago, and my friends Yahya Eliwa al-Tahawi and Muhammad Saud al-Tahawi have two later copies from the late nineteenth and early twentieth centuries, done by a Syrian copyist.  

In another bout of bad luck, Zahra (RL Zahra Assahra, by Portent x Antezzah by Grand Pass) turned out not to be in foal to Latitude HD (Atticus x Lycia CF by Lydian), to which she had been bred to last October. That cross if successful was going to be the 2017 vintage of the Al-Dahdah program. Carrie Slayton, who boards her for me, took this shot of her below, which shows her conformation well. I really like the dark black skin of her muzzle, and I also like the strong back and coupling, which are characteristic of this strain. Carrie also bred her yesterday and the day before to her beautiful Audacious CF (Telemachus x Audacity), photos of Audacious below. Lets see if she takes, she is 22 so still young by my standards. I am so looking forward to that cross, they are a good match. Photos from Carrie.

So I went to see the horses today, all were beautiful especially Haykal and Barakah. I was riding Wadha, and had just started galloping, but the saddle strap was loose so the saddle slid to the side and I fell on my back, while my foot remained stuck in one of the stirrups. The whole thing hurts.