Miguel Acuña Álvarez has shared this photo of his foundation stallion, PB MUAHJID [pedigree] by the Ansata-sired Nasani and out of the imported Hamdan Stables mare Neveen, with whom he was with in-utero during her importation to Chile. Neveen’s dam was the 1963 Bint Folla II, and her dam was the Tahawi mare and Hamdan Stables foundation mare, Folla. In the United States this is a rather rare line, as Bint Folla II is only felt through the mare Neveen, and Neveen had but one daughter to carry her line forth, the 1990 grey mare Amira Neveen, by the ubiquitous TheEgyptianPrince. Amira Neveen had several offspring: two stallions, 1996 Amir Farid and the 2010 Amer El Khalid LDV; and four mares, Sulayah LDV, Morocco LDV, X Quisite LDV, and Perla LDV, all bred by La Dulce Vida Arabians / Martha Suarez and born respectively in 2002, 2003, 2006, and 2008. So far, it appears that the only one of these 6 offspring to breed forward is Sulayah LVD, who foaled the mare Amira Jewel LDV in 2008, meaning that it’s been a decade since this line last saw a foal on the ground. There’s still time, but this is definitely…
The following photos have been shared with me (and with permission to share) by Virginia Pope, the granddaughter of Arthur Hurn. Among other things, Arthur Hurn was the stud manager for HRH the Prince of Wales (Prince Edward)’s Tor Royal Stud in Dartmoor from the years 1918-1931, meaning he was present when the stallion *Aldebar was born in 1919, and knew/cared for Dwarka up until his death in in 1921 at the advanced age of 29 years old. Virginia Pope has just published a book about her grandfather’s time at Tor Royal, which reportedly includes an account of Dwarka’s journey from the desert to India and then to the UK – which I will hopefully be reading and perhaps obtaining permission to share with the more global audience on DOTW, since the book itself is currently only really available for shipping in the UK (I was very fortunate that Virginia and her assistant were willing to personally work with me to get a copy shipped Stateside.) Until then, these are several pictures of Dwarka’s personal bridle! I may be wrong, but I think this bridle may have come with him from India.
For a while now, I have been trying to compile as many first-hand accounts of Arab horses written by eighteenth and nineteenth century European travellers in the Levant, the Middle East, and Arabia as I can, and one of the things that I have found fascinating is the changing of the five strains listed as Al Khamsa over time, with the only constants being the Kuhaylan and the Saqlawi. D’Arvieux’s Voyages dans la Palestine, published in 1717, is one of the earliest European works I have yet found to give an account of Arab horses in their homeland. He talks about the Kehhilan, contrasting it to the “ancienne race” Aatiq and to the Guidich, but does not mention any of the strains, save for Touysse, probably the Tuwaisan, which he gives as the name of a mare belonging to one Abrahim Abou Voüassés. In his Beschreibung von Arabien (1772), Niebuhr gives rather more information on the strains of the Arab horse. Using the term Köchlâni to denote the breed as a whole, he refers to the strains as families, listing the most common strains of each area. Such familiar names as Dsjülfa, Mânaki, Seklaúi, Hamdâni and Daádsjani are listed, along with some rarer strains, such as Sáade, Toreífi and Challaúi –…
Keels Mol gave me this unique photo of *Turfa, likely taken in Jeddah prior to her export to the UK, Ias a royal gift from King Abd al-Aziz Ibn Saud of Saudi Arabia to King George VI, in return for the hospitality shown his son when the Saudi prince attended the British King’s coronation. I then donated the photo, along with several others, to the Arabian Horse Archives, which published it here in high resolution, with an explanation of its provenance.
The chestnut Arabian mare Kariban, a Saqlawiyah Jadraniyah, was imported from the Middle East by Hernan Ayerza in 1898 for his large El Aduar stud in Argentina. El Aduar can be thought of as the historical equivalent of Crabbet in Latin America. Kariban is the tail female for the mare *Aire. She has a very thin tail female in Al Khamsa, down to a single mare, San Luis Solstice, despite having contributed many important horses to US breeding programs. I had translated Kariban’s hujjah for Al Khamsa Arabians III some twelve years ago, but the fact that the mare is in the pedigree of one of my mares led me to take another look today, which proved fruitful. Here is my translation of the original Arabic document: On the below date, we sold our chestnut mare, the daughter of our burnt bay mare; the mare that was sold, her strain is Saqlawiyat Jadran, she was born with us; her sire is the bay Ma’naqi horse of Shawkat Pasha; her dam is from Bagdad, her origin being from the horses of Ibn Sattam Sha’lan, leader (Amir) of the tribe of the ‘Anazah Arabs. She was born with us, her age is three…
This photo was identified as BINT FEREYHA with an IBN NURA filly. I was hoping that a quick check of the pedigrees would identify her, but such is not the case – the book was published in 1898, and both Ibn Nura fillies out of Bint Fereyha that are listed on Allbreed (I know, not the best of sources) were born within this timeline: the 1893 bay filly FULANA and the 1898 grey filly WUJRA. My guess based on that was that this is Fulana, just because Wujra was born the same year this book was published, but that’s not definitive proof. The only photo I have been able to find of Fulana unfortunately does not show her face very well, so I’m uncertain of the facial markings. That said, Edouard also shared this with me, from the Sheyk Obeyd Studbook: 1897 – WUBBR, chestnut colt that (I believe) eventually went grey, by Ibn Sherara — which brings us to a third possibility. Does anyone else recognize this photo, or the little foal (perhaps as a grown horse?)
Skowronek’s widespread presence in the pedigrees of horses registered as Arabians is arguably the raison d’etre for a number of different preservation initiatives including Al Khamsa, the Asil Club, the Pyramid Society and probably even this blog. Since I was a boy, I had heard about Skowronek and thought his non-Arabian ancestry was common knowledge since the 1940s when my grandfather first learned about it. Attending the 2017 WAHO conference made me realize I was mistaken. Below are a number of viewpoints from people I either personally interacted with or overheard during my trip: Two Arabs friends, from different Middle Eastern countries, who wanted to know what I thought about the whole Skowronek issue. Is he really not Asil? A prominent British breeder who had this to say to me when I mentioned Skowronek and his non-Arabian ancestors: “Oh that’s not proven now is it? It’s just unsubstantiated rumor.” A European breeder conversing at a dinner table: “Oh the DNA shows the Asil horses are all part breds too, so who cares?” A European and an Australian shouting in a bus: “All the evidence has been published on Skowronek over 50 years ago. He has non-Arabian blood in his pedigree”…
Both below are courtesy of The Toronto Star Archives and have been provided by the Special Collections Department of the Toronto Public Library. Either that was a very tall man, or *Aldebar was a rather short horse. Caption: ” PRINCE’S STALLION FOR CANADA. The Prince of Wales’ Arabian stallion Aldebaran, which was shipped on the Canadian Pacific liner “Minnedosa” from Glasgow. The animal will compete at the Canadian National Exhibition at Toronto before going to the Prince’s ranch in Alberta.“
As we broached up the subject of Arabian Horse Archives in a previous entry, I am excited to say that I will be giving annotated, digital copies of my entire collection of photos and negatives, mostly taken in Lebanon and Syria in the 1970s-80s (by my father) to the 90s and 2000s (mostly by me). I encourage those of you who have relevant collections to do the same. I have already donated a never-seen-before image to Turfa taken in her home country, together with the British imports Kasim and Faras, which was given to me by Kees Mol. Below, Mawj al-Rih, a Saqlawi Jadran at the Beirut racetrack in the 1940s. From the book of Ali al-Barazi.
The caption says Rose of Jericho and Dahna. Both mares were bred at the Crabbet Farm and then exported to Australia to live at the Quambi Springs Stud owned by Sir James Penn Boucaut. Rose of Jericho and Dahna, were both in 1891, and had foals on the ground as early as 1893. Dahna had 7 foals by Rafyk – 10 in total – whereas Rose of Jericho had at least 11 foals by Rafyk in her time in Australia – including Bedaween, the “Grand National Champion of Australia,” and his younger brothers, Zubeir and Suleiman – shown below. Zubeir, in particular, was a rather successful sire, breeding not only pure Arabian get but also horses suitable for the colonial life of Australians in the early 20th century. He was purchased by Mr. Warburton of Northern Australia. I was fortunate enough through the power of the internet to have a copy of his stud listing sent to me, which you can see below — It is from Zubeir that we derive the mystery of Minaret. Michael Bowling wrote a wonder article on this a while back, but to rehash: with any familiarity with the story of the Crabbet Stud, you’ll know that for some…
I’m always a little disappointed when people tell me that Arabians cannot jump, despite evidence to the contrary. As Kate likes to put it, they’re unique, and “they trust to the hand of God.” These mares are at the Arab Stud Farm in Needham Market, which is, of course, the farm of the Rev. F. F. Vidal. I’m not surprised that they’re jumping at his farm. Naomi herself was said to be quite a successful hunter in England before being imported overseas to Huntington’s farm – I know I’ve read it in a periodical source somewhere, but the easy example is the Allbreed info citing her as “An exceptional and widely-acclaimed field hunter known for clearing 7-foot fences carrying 196 lbs.” I wonder who these mares are. Michael Bowling suggests that they might be Shiboleth and the Anglo-Arab Trigonia.
Neither of these photos are new, but they are the largest, most complete versions I have seen, extracted from the 1898 reprint of Sarah Buckman-Linard’s book “My Horse; My Love.”
I am excited to introduce Kate McLachlan as an occasional blogger on Daughters of the Wind. Kate is a lecturer at the University of Cape Town, in South Africa, and holds a graduate degree in Ancient Philology from Oxford University. I am really looking forward to her contributions.
I am issuing this call as an adviser and a friend to the project ———————– Invitation YOU ARE INVITED to help shape the future of Arabian horse history as an Advisor to the Arabian Horse Archives Inc. — not to choose some aspects as important and sideline the rest, but to identify, preserve and protect archival materials relating to the world-wide history of the ancient and influential Arabian breed. The goal is to catalogue, and to facilitate the preservation of, such materials so that they are not only conserved but made accessible to students and researchers. We need to become visible in order to be noticed. Our first goal is to populate arabianarchives.org and illustrate the wide range of topics of interest, and the forms in which information exists. We ask that each of you provide a high-resolution scan (or photograph of a three-dimensional object) from your collections, representative of some aspect of Arabian horse history. Local or international, antique or mid-century modern — it’s all history. We need, in the current on-line environment, to develop an active social media presence. There is someone out there with the time and the skills to maintain Archives announcements on Facebook, Twitter, Instagram and other platforms.…
The high resolution photos of *Halool and *Koubishan, in the new Annotated Quest, courtesy of Jeanne Craver.
The Society for the Preservation of Desert Bred Salukis has a new webpage, www.desertbred.org
Many of you who read this page know Lyman Doyle. He is so many things at the same time: the owner of the Doyle Arabian Stud, which is the longest Al Khamsa program in existence with the same family, going back to 1949; the CEO of Doyle Pacific Industries, in Shanghai, China, and a former armored cavalry officer. I have asked Lyman to publish some of his research on Skowronek and early Polish Arabian and not so-Arabian horses on Daughters of the Wind. Lyman has rediscovered a series of primary documents in the central and eastern European languages, by main protagonists of the time. He will present the information and sources as is, and leave readers to draw their own conclusions. Lyman will blog here and add materials on the page: daughterofthewind.org/skowronek
Kate and I were looking at the 1898 reprint of Sarah Buckman-Linard’s book “My Horse; My Love,” which is available as a public domain book on Archive.org courtesy of the University of Toronto (so, no need to buy the very poorly scanned reprints that are available via retailers right now!) This is a photo of Shibboleth, said to be the sire of both Kars and Sherifa in the book. The photos within this book, and the information, were apparently courtesy of both the Rev. F. Furse Vidal and Lady Anne Blunt. This is the first I have ever heard of a named (and photographed) sire of Kars, and I have to admit that I’m thrown for a loop here. Any more verse members of the community have more information on him to offer as we dig for more? A thought, however – the door and what have you is quite similar to that of what we see in the background of the infamous El Emir photo. Not sure what to make of that, either. Edit: This is the daughter of Kars and Sherifa. A connection, but not the one cited. Still, neat to see a photo of her.
Posting the photo of Moth and her daughter Major Barbara that started Jeanne Craver’s long and fruitful relation with Davenport Arabians, as a book end to the photo of Faziza below. Thank you Jeanne.
… is this picture of Faziza (Fa Turf x Azyya by Kenur out of *Aziza), the half Saudi, half Egyptian Arabian mare exported by Krausnicks to W.G. Olms of Germany. The picture is from Foppe Klynstra book, “Nobility of the Desert”.
It just occurred to me, much to my surprise, that we are about to lose any lines to the great *Haleb in Al Khamsa horses. Follow the genealogy, as you look at his Al Khamsa progeny, here, while noting that anything from his daughter Saleefy does not actually trace to *Haleb, because of the mare switch in California. From his second daughter Meleky, all that’s left is my 5 year old Mayassa Al Arab, and the 23 year old Nuri Al Krush, which I am in the process of leasing. From his third and last eligible daughter Rhua, the line to *Haleb flows through Alcazar. Here all that’s left is: the handful Hamdani Simri horses, tail female Selma, through Koreish, most of them at the Detweilers in PA, with an older mare in Georgia (Jadah Selma) and another in the midwest (Faserras Star); the handful horses tracing to LD Rubic, most of them in PA (two with me, five or six with Monica Respet), the 27 year old Salil Ibn Iliad in South Carolina and his two daughters there with Pam Baker. Samiras Adlaya now in Arizona, who is rare in so many ways The stallion Le Coquin and his…
That’s the photo, courtesy of Jeanne Craver, being referenced in the discussion below.
I have been thinking a lot about the early South American Arabians, imported before things went sideways. I know a few years back some folks here were looking into potential old asil lines for the horses, and I think it was concluded that non are extent today save for the horses that descend from the mare *AIRE – which is tragic. Nevertheless, I have been able to find photos of some of these old horses, and while it does little in the way of preservation efforts, I think it would serve as a bittersweet reminder of what we have lost, and what we strive to preserve. AJMAN (Feysul x Ajramieh), when he was still at Crabbet Park
The level of detail in Lady Anne Blunt’s Journals on mares of the Kuhaylan Mimreh strain belonging to members of the Egyptian royal family makes it possible to reconstitute a family tree of that strain that actually looks rather different from the one in stud books and genealogical lists (Cf. Pearson). Going through references to mares of the Mimreh strain in the Journals is tedious, but I find the effort to be worth it in the end. The first reference to that family of horses occurs under the Journal entry of April 11, 1891, except that the strain is misspelt Kehileh en Nimr instead of Mimreh, the probable result of a hearing error, as I wrote here. Lastly the Kehileh en Nimr of ibn Kayshish, a dark bay or brown mare with blaze. Age 12 years. Her name Fereyha.” The second reference is much later, on March 10th 1907, shortly after Ahmed Pasha’s death, in the context of a visit with the stud managers. Lady Anne lists 5 mares from this strain: (7) Chestnut Ke. Mimre, beautiful head ‘Ghazala’ at end of nose. Sire? 7 years (7a) Chestnut Ke. Mim 5 1/2 — dam? — blaze (Sire Dahman) [Edouard note:…
The following excerpt, in French, followed by my translation to English, from the French government buying commission led by Madron and Denis, describes three stallions it examined at the encampment of Hatchem (Hakem) Ibn Mhayd, leader of the Fad’aan Bedouins, north of Raqqa, in May 1925. Their long, detailed report, is the French equivalent of Davenport’s Quest, but has more informed insights about the status of Arabian horse breeding in Syria and Northern Arabia: “We had come to this tribe so renowned for its horses, hoping to find compensation for our previous setbacks. But as the same causes produce the same effects, there too, as a result of the misdeeds of winter and the drought of spring, we were only able to see horses in a rather miserable state. The mares we were presented with had all the hallmark of [Arabian] type, sufficient scope and even a strong bone structure, but many suffered from physical blemishes or conformation defects. After these, we were shown three grey horses. The first (below), which displayed the characters of the Obeyan family fairly well, stood out, with prominent withers, a good topline, a beautiful shoulder and good bone in his forelegs; but his hip…
Bev Davison’s stallion Subanet Jabbar SDA (Summer Sonnet SDA x Bint Bint Subani by Ibn Saafaddan), an 11 year old Saqlawi Jadran tracing to Ghazieh of Abbas Pasha, is a picture. Look at the jaw, the arch of the neck, the base of the neck, and the shoulder. Also, his splendid action, which shows in other pictures. Ginger was bred to him several times, so I really hope she takes. Bev Davison photo.
The facebook page for “Dartmoor Pony Chronicles” has this ‘new’ photo of the desert-import Dwarka. I have never seen ears so short on a Arabian horse (they’re too short), and placed so far back (that’s good), but I am also pleasantly surprised at how fine the muzzle and the nostrils are, how deep the jowls are, and how soulful the eyes are. I confess I was always a little biased against this horse, even questioning his authenticity credentials, and this photo makes me better disposed towards him. In the other photo the length of his ears is more normal, so I wonder what happened there.
I will keep emphasizing the contribution of the Dandashi clan of Tall-Kalakh, Syria to high quality Arabian horse breeding in the Middle East and beyond, all the way to Europe and the US. Babolna’s Obajan, the sire of Ameen Rihani’s *Muha, the sire of W.R. Hearst’s *Bint Rajwa all came from their stables, as did several of the foundation stallions of Lebanese breeding. Below, young Dandashi horsemen on their horses in 1890, from the FB page “Syria Photographic Museum”. Note the quality of the horses.
Moira Walker just shared this Flickr stream. Many never seen before photos of US foundation stock, especially of Segario, *Nejdran, *Ibn Mahruss, *Shahwan and *Obeyran, others perhaps as well. Each photo deserves an article. Is that large photo of *Hamrah also new, towards the middle of the stream? Aaaahhh!
For those unfamiliar with the previous El Emir post, I direct you here. For those having already read the post, I am posting this on behalf of Kate McLachlan and at the request of Jenny Krieg.
Moira Walker found this “new” photo of *Astraled (Mesaoud x Queen of Sheba) in an article written by Spencer Borden in the Cavalry Journal, Volume 29, April-July-October 1920, and shared it on social media, where it’s been circulating. Here is a link to the article.
A photo of the desert-bred stallion *Muson, imported to the US in 1906 by Homer Davenport, which I had not seen before. From the New Jersey Magazine, ca. 1907. Gleaned from Rehan Ud Din Baber’s beautiful facebook page.
The other day Pienaar Du Plessis shared with me this photo of his asil Bahraini stallion Tuwaisaan 406, taken at 27 years of age. Tuwaisaan, now dead, was a gift from the King of Bahrain to his family. He is part of the proposal I made for the inclusion of exported Bahraini horses into the Al Khamsa Roster in North America. Note the resemblance with Mauvy’s drawing on the front of his book, below.
If there was ever a Bible about the Arabian horse, it’s this book by French master breeder Robert Mauvy. Twenty eight years and a hundred cover to cover reads later, it still reads like the first time. It’s the only book I own three copies of, for fear of losing one.
This is a follow on to a previous message about the horses of the Hamidie Society, some of which survive in modern Arabian horse pedigrees (including *Nejdme, *Obeyran, *Mannaky, *Galfia, and the elusive *Pride). The same letter by J.R. Dolbony I discussed in a previous blog post about the stallion *Mannaky is also relevant to the mare *Nejdme. *Nejdme is registered as a Kuhaylah ‘Ajuz, by a Saqlawi Jadran. An article from that time, has the reverse, by a Kuhaylan ‘Ajuz, out of a Saqlawiyah Jadraniyah. I personally see the attribution of these two strains to *Nejdme as suspicious, for two reasons: First, these are the run-of-the-mill Arabian horse strains or “brands”. Just like tissue paper is generally associated with “Kleenex”, and photocopy machines with “Xerox”, Arabian horse strains in the late nineteenth century were readily associated with “Saqlawi Jadran” and “Kuhaylan Ajuz”. Second, and that’s personal speculation on my part, I believe the officers of the Hamidie Society were under some expectation to send to the Chicago World Fair horses representative of the five main strains of the Al Khamsa legend, a bit like a car maker would showcase a full array of car types at a car salon: SUVs,…
None of the three mares bred this year are in foal. Ginger came back in heat first and Bev bred her back to her stallion. Then Wadha turned not to be in foal to the Bahraini stallion of Jenny Lees, and that was a big disappointment after (or perhaps because of) all the work at the vet hospital, and she should have been back in heat but she is not. Not sure what’s going on there. And now Pippa has come back in heat, not in foal to Tamaam. Lyman Doyle is going to be try a breeding to Kashgar again (photo below, from Lyman). I wish that could work, because I like him a lot. If that does not work, I asked Lyman if he could try Buckner (photo below, also from Lyman), who has had a foal before. Buckner is an out-cross of sorts within the Doyle herd, as he brings in two close crosses to Greggan, two rare crosses to Subani, that cross to Serg, and that rare tail male to Ibn Gulribbon. I really need to learn why mares are such infertile animals. Or it’s just mine.
This has been simmering for some time. Photos of saluki Amira Khalid El Taif fFrom Gail Goodman’s collection.
This article appeared in the Khamsat Magazine issue in tribute to Charles Craver. I first met Charles (and Jeanne) in December 2000, when I took the train from Chicago where I was studying. It was a memorable visit, and we spent hours talking in their kitchen and looking at horses and old documents. Upon my return, Charles told a person whose identity escapes me now that “I had liked a very different set of horses than the ones other visitors typically liked.” This was true for the most part, because in addition to perennial favorites Pirouette CF and Wisteria CF, several Davenport broodmares with straighter profiles, less classical heads, and less round, more sloped hindquarters had caught my eye, and I had commented favorably about them. They were built like tanks, with deep girths, broad rib cages and high withers. I cannot recall their names today, but all were very reminiscent of mares of desert-bred stock I had known and liked in Syria and Lebanon while growing up there in the 1980s. These Davenport mares were “diamonds in the rough”, and it’s that unadulterated, un-sculpted, pristine quality that attracted me to them. The overwhelming majority of desert-bred mares and mares…
Through Pienaar Du Plessis in South Africa come these photos of the asil 1994 Kuhaylan Mimrah stallion Kibriya Nishkur (Sidi Abu Khai x Sidi Mabruka by Raafek), a sire of endurance winners in this country, with an improbable nine crosses to Morafic, and two close crosses to the 1955 Bahraini stallion Tuwaisaan of Valerie Noli-Marais. This horse is a case study in the change a small infusion of desert blood can do to Egyptian lines. Notice the big flat bone, and the muscle neck, the high withers and muscular croup characteristic of the Bahraini horses and of the old Kuhaylan Mimrah line of Barakah from Manial stables. Most Egyptian horses with nine crosses to Morafic don’t look so masculine.
Together with Aleppo, Sanaa in Yemen and Fes in Morocco, my favorite ancient city. Then come Florence, Budapest, Rome, Paris, Vienna. Here the suq of Midhat Pasha. Photos from the Library of Congress.
Photo gleaned on an online discussion where Lyman Doyle was asking about feedback on his Tamaam’s straight profile. Call this creature whatever you want, a snake, a seahorse, a mutant, “living art”, but not an Arab horse. This has gone too far.
Ginger — with Bev Davison in Idaho — was bred to Bev’s stallion Subanet Jabbar SDA (photo below), a Saqlawi with a high percentage Crabbet and Abbas Pasha blood, with close crosses to personal favorites like the Doyle stallions Parnell and Subani, and the dark bay Babson stallion Saafaddan. That was close to three weeks ago. Time for a pregnancy check. Below: Saafaddan, with Walter Shimanski.
Wadha was bred last week to the Bahraini stallion Shuwaiman Al Rais (photo below), from the breeding of Jenny Lees in the UK. I am looking forward to this cold outcross, the first ever of a Bahraini horse to a mare of old Syria (i.e. Davenport) lines. I hope it works, because Wadha was still showing fluid in her uterus as of yesterday.
Today Rosemary Doyle bred for me the Managhi mare Daughter of the Pharaohs (aka “Pippa”), which I leased from DeWayne Brown, to the Doyle stallion Tamaam DE (photo below, by Carver DE out of Maloof Habiba), who of 100% old Crabbet lines. Fingers crossed for a healthy foal in 2019.
Finally, Jamr Al Arab (Vice Regent CF x Jadiba) who is now under saddle with Sue Moss riding. Last photo while collecting is by Darlene. He traces to *Wadduda, the war mare of the leader of the Fad’aan Bedouins, imported by Homer Davenport in 1906. (I like repeating these things).
And this Wadha Al Arab before a trip to the vet clinic for AI breeding. Top photo by Darlene.
This is Jadah BelloftheBall (“Belle”), a Kuhaylat al-‘Ajuz from the strain imported by Albert Harris through Amin Rihani to the USA from the Saudi Royal Stables in 1932.
This is my not-so-little Barakah Al Arab (Wadd Al Arab x Jadah BelloftheBalll), almost two years old, and a Kuhaylat al-‘Ajuz tracing to the mare *Nufoud (ca. 1925) of the royal stables of Saudi Arabia. It was hard to get a full body shot because she kept mobbing me.
This past weekend Jeanne Craver flew in and out to say goodbye before I leave for a new assignment in South Africa, and we went to see the horses, together with Jenny Krieg and Darlene Summers. This is my beautiful Ma’naqiyah Sbayliyah mare SS Shadows Aana. Any foals from her seem extremely unlikely at this juncture.
Through Yahya Al-Tahawi in Egypt comes this new picture of El Deree, the desert-bred race horse that became a senior stallion at the Egyptian Royal Stud in Inshass. This photo was never published in the West before.
That is a local “Shami” breed of cows from Southern and Western Syria. They have red coats and produce relatively little milk, that is dense and delicious. It has now all but disappeared, crossed with imported cattle from Europe and elsewhere.
This mare has a fast pace and carries herself with distinction and style. My ten year old girl remarked on this saying: “I like Belle because she walks so proudly”. She embodies the unique nobility of the breed. Also, she produces better than she is.
My black Ma’naqiyah mare SS Shadows Aana was bred to my Saqlawi al-‘Abd Jamr Al Arab for a 2019 foal last Thursday May 3, and the following Friday, Saturday and Monday. Friday and Saturday’s were good covers. The cross would bring out multiple lines to Gulastra through his three offspring Gulida, Nusi and Julep.
Two days ago Carrie Slayton bred the Hadbah mare RL Zahra Assahara (Portent x Antezzah by Grand Pass) to Ambar Diaz’ Porte CF (Portico x Recherche). Carrie and I now co-own Zahra. If the resulting foal (with three close crosses to Portia) is a filly, she is mine, and any colts and future fillies are Carrie’s.
I am grateful to my friend from Deir El Zor Okba al-Ruwaili for having recently clarified to me the meaning of the expression “Min Hab El Rih and Nabt El Shih”, which occurs in many hujaj (or Arabic authentication certificates). Okba tells me that the expression is used by ‘nabati’ or settled folks from Syria as a metaphor for desert authenticity, not just to refer to desert-bred horses but for all things related to the desert. Of course “nabt” means plant in ‘general’, and Okba tells me “al-shih” is an aromatic and medicinal plant specific to the desert (plural “shih”, singular “shiha”, cf. Lady Anne Blunt’s mare “Shieha”), also used to perfume tents into the present day. It’s English name is Artemisia, and below is a photo of one specimen from Saudi Arabia. As to “hab el rih” it means the “wind that blows” as I have mentioned in previous posts devoted to clarifying the meaning of this expression. The meaning is the same, a metaphor for the desert. Okba sent me the hujjah (the mare it refers to is irrelevant) in the photo below as an illustration, my translation below: I the undersigned, Mr. Hamid Muhammad Ali al-Jassim from…