I just happened on Stephanie Sears well illustrated article from 2003 on Arabian horses in Syria. It was published in Canadian Arabian News. Lots of photos I see for the first time, and a nice account of her travels around the country. The link is here. Save it before it disappears!
Karsten Scherling took this photo of Joan DeVour’s stallion Le Coquin some ten years ago in Oregon. That is one of the few Al Khamsa horses with a line to the legendary *Mirage. He now has a new filly.
A random thought unrelated to horses and perhaps better suited for social media: this morning I found myself longing for a glass of chilled karkade, the hibiscus infusion popular in Egypt and Sudan. I recall the one Gulsun Sherif served me in Maadi on a hot August afternon some five years ago. Check this blog entry about it, on the blog “the Egyptian kitchen”.
Yesterday, Hylke and I were discussing when the word “asil” (authentic, original in Arabic) first came to be used in reference to Arab horses, and by whom. I do not believe Bedouins were the first to use the term to refer to their own horses. Even today, they seldom do. Rather, I believe it is a word urban dwellers of Damascus, Aleppo, Bagdad or other cities first applied to some of the horses of the Bedouin to differentiate them from horses of unknown origin and provenance (kadish). Hylke believes the spread of the word “asil” as applied to horses is connected to Orientalism, to European views of racial superiority and to the idea of “purity of blood”, applied to Arabian horses. That would have come about sometime during the nineteenth century. She believes the word was picked up by Syrian/Egyptian/Ottoman horse merchants, traders and other townfolks in response to European emphasis on “pure blood”. It would be nice to find the earliest written reference to the use of the word “asil” in reference to Arab horses in Western equine and travel literature, but also in contemporary Arabic or Ottoman Turkish writings.
I really look forward to the publication of Hylke Hettema’s academic work. It revisits a lot of assumptions about the genesis of the Arab horse, links it to the emerging of a collective Arab ethnic identity, and highlights the role of Orientalism in creating an imagined classic Arabian horse in modern times. I have learned a lot from her over the past two years, and questioned some long-held assumptions. You will hear a lot about her work in the coming years and decades. You may not agree with everything she concludes, but it has the tremedous merit of questioning ossified claims that have come to be accepted as timeless truths over time. Keep asking yourself questions. It keeps us alive. Meanwhile, read Hylke’s article on “Ancient Arabians: A Closer Look at Ancient Egyptian Horses” on her blog “Remembering a Desert Horse“.
This photo comes from L’Algérie Photographiée: Province d’Oran, by Félix-Jacques-Antoine Moulin, taken circa 1856/7.
This has to be the best horse news of the summer. Bev just wrote from Idaho to share the news that DA Ginger Moon (“Ginger”) delivered a healthy filly foal several hours ago, a week or even two before her due date. Four white socks and a winding blaze. Very long ears, fine muzzle. I am elated. Bev’s Subanet Jabbar SDA is the sire. This is his first foal. I am still looking for a name that starts with “K” (cf. her ancestors Kumoniet, Kumence, and Kualoha).
The photo below, shared with the kind permission of Janien Strauss, is of the Kuhaylan al-Mimrah stallion, Sidi Egyptian Nile (Thee Cyclone x Sahiby Juleemah), whose half-siblings have been featured on the blog before. The story of the Kuhaylan al-Mimrah strain in South Africa is already known to most readers of the blog, but here is a quick recap: in the 1940s, Claude Orpen imported three stallions and two mares to South Africa from Egypt. One of these mares was the three-year-old Barakah (Ibn Manial x Gamalat). In South Africa, she produced two foals by her fellow import, the stallion Zahir (Ibn Fayda x Zahra), a colt, Gordonville Ziyadan, and a filly, Gordonville Zahara. Unfortunately, Zahara died young, and Barakah’s next foals were not asil. The Kuhaylan al-Mimrah strain would have died out in asil form, had it not been for the intervention of Dr Valerie Noli-Marais, who acquired the aged Barakah, and the gift of the Bahraini stallion Tuwaisan, by Sheikh Isa bin Sulman Al-Khalifa. Barakah’s last foal, born when the mare was twenty-seven, was, miraculously, a daughter, Sahiby Bint Baraka. Sahiby Bint Baraka had four registered foals, but only one of her two fillies was asil, Sahiby Noura,…
KUHAYLAN AL-WATI OF DIYAB AL-SBEIH: a gray (born black, he later turned dark gray) asil desert-bred stallion; born c. 1977 (certainly after 1975 and before 1980); bred by Fawaz Ibn Ghishm, who is a lesser shaykh of a clan of the Northern Shammar; Strain: Kuhaylan al-Wati of the marbat of Hakim al-Ghishm of the Shammar; one of the sons of Hakem ibn Hsayni ibn Ghishm once told us that the father of their father got this strain from the Anazeh tribe. The Ghishm also mentioned they only bred their horses to each other, and that breeding to an outside horse was an exception. Sire: a desert bred Kuhaylan al-Wati bred by Fawaz ibn Hakem al-Ghishm of the Shammar tribe; Dam: a desert-bred Kuhayla al-Wati also bred by Fawaz ibn Ghishm; Comments: Fawaz gifted the horse, who was between one and a half and three years old to his inlaws al-Sbeih. A sister of Fawaz had married Mohammad, the eldest son of Diyab al-Sbeih. Diyab was a Mukhtar of the Shammar, a non Shaykh notable; Muhammad ibn Diyab al-Sbeih died in the uprising of the Muslim Brotherhood in the beginning of the 1980s). There is some disagreement between the four Ghishm…
One of the five mares brought back to France by the mission of De Saunhac and Chambry of 1902 was the tall bay mare Naeleh, born in 1898. Her photo below is from a 1902 article in French magazine le Sport Universel Illustre, which describes her purchase in Damascus. The caption for the photo in this article says she was sired by a Kuhaylan and out of a Shuwaymah. It could have been the reverse, because the Kuhaylan strain of the sire is in the feminine form (the article spelled it “Kahlaylet”), while the Shuwayman strain of the dam is in the masculine form (“Choueyman”). Naeleh is the maternal granddam of the beautiful Pompadour broodmare Noble Reine, by Dahman, pictured below (photo from the archives of Robert Mauvy, courtesy of Pierre Henri Beillard), and her full sister Ninon, photo further below. Both inheriated the long, horizontal croup of their sire Dahman.
I happened upon two online editions of the French magazine Le Sport Universel Illustre from the year 1902. They feature an extensive and fascinating account, in two parts, of a French government buying mission to the Orient. The mission started in Constantinople, made its way to Beirut by sea, then traveled to Damascus by rail over Mount Lebanon, before returning to Beirut. It then followed the coastline northwards from Beirut all the way to Antioch where it bought several horses, before staying at Aleppo for four days. In Aleppo, it met the military governor Hasan “Mousim” Pasha, and saw his horses. I wonder if he was not the Hasan Tahsin Pasha whom Davenport met four years later. The mission tried to make its way to Deir Ezzor but a rebellion prevented it from reaching the Euphrates, so instead it went from Aleppo southwards towards Maarah, Hama and Homs. From there it went back again to Beirut and from there traveled south to Sidon, Safad, Nablus and Jerusalem. The mission was led by General Inspectors Chambry and de Saunhac, with the veterinary doctor Manoury. It brought back 12 stallions and 5 mares. Among these was the impressive stallion Khouri, sired by…
I am so happy with how true to his origins he has proven to be. One of my favorite arm-chair horse activities has been to trace his pedigree as far back as possible. Photo by Severine Vesco.
I finally found a couple good photos of Marwah, the Saqlawiyah Jadraniyah of Ibn Amud. The top photo was taken at the entrance of Basil Jadaan’s old farm. Marwah was sired by the grey Hadban Enzahi of Fazaa al-Hadi al-Jarba, the son of the old bay Hadban Enzahi of Fazaa. Both Hadbans stood in Garhok in North Eastern Syria, and were widely used by the neighboring Arabs. She was small, but otherwise impossible to fault. Her croup and hindquarters were among the best I have ever seen in desert-bred Arabian horses. NOTE: Please, if you feel the urge to share on social media, link to the entire blog article, but don’t download and share as if the photo were yours. I don’t want Facebook to own these photos or others.
Both taken by an unknown photographer at the old farm of Basil Jadaan. He had a lot of style, and when ridden, he would prance sideways rather than walk straight. Critics would fault his sinuous, snake-like middle of the body, but he did not transmit that.
The more time passes, the more I cherish those precious few horse photos that also happen to show a glimpse of the people around the horses. I used to believe that good horse conformation shots should not show the handler, and certainly not the people in the background. When they did, I would relentlessly crop the people out. I now realize that the people, some of them now gone, are an integral part of the story the photo is telling. Below, a filly at Mustafa al-Jabri’s farm in 1993, with Radwan Shabareq and Kamal ‘Abd al-Khaliq standing in the background, and me sitting on the grass. My father wanted to buy the filly, and took many photos of her. Below, a youthful Chris Bauduin on Murad Hadiya in 1994. In the background, from left to right, Jean-Claude Rajot, myself in the green jacket, a lady whose name I forget and Louis Bauduin near Nemours, France. Below, my father standing near his beloved Ubayyan Suhayli stallion Dahess, then standing at the Jabri farm outside Aleppo in the mid 1990s. And below, me taking notes behind a young Jabri mare whose name and strain escapes me now. Either a Hamdaniyah or a…
I spent the morning digging through old photos, which also bring back stories. I like this photo so much. It features a Tai Bedouin horse breeder, Muhammad al-‘Abd al-Sulayman al-Rhayyil, putting one of his toddler sons on his Saqlawiyah mares near Al-Qamishli, North Eastern Syria. The photo belongs to the sons, now grown men in their thirties and fourties. I believe it is from the early 1980s. The mare is a Saqlawiyah Jadraniyah from the breedeing of al-Rhayyil. He or his father obtained what would have been the granddam of this mare in 1952 from the family of the Shaykh of the Tai, Abd al-Hamid (a.k.a Hamid) al-Talal al-‘Abd al-Rahman. The latter got the line from the family of the owner of the marbat, Hasan al-‘Amud, the Shaykh of the ‘Amud section of the Northern Shammar. According to ‘Abbas al-Azzawi (in his encyclopedic book “The Tribes of Iraq”, in Arabic), who quotes the Shaykh of the ‘Amarat Bedouins Mahruth ibn Haddhal, the ‘Amud had obtained the prized original mare in war from the Frijah section of the Ruwalah. This piece of information makes this line one of the most authenticated Saqlawi lines in the desert, because the Frijah are the…
The first one was taken at the desert festival of Palmyra in the mid-1990s, so before its destruction by ISIS. You can see Mobarak in Bedouin gear, standing by one of the tower tombs (now destroyed), next to a female performer in traditional Bedouin costume. The second photo was taken at Basil’s old farm in the suburbs of Damascus. It is now the site of a hotel. Both photos belong to Basil Jadaan and were first published on Hazaim Alwair’s web page, now defunct.
Christine Emmert is a great photographer of horses. She took this photo of Bonnie Duecker’s Davenport gelding Mai Raisuli (Indie Star x Pretty Fancy by Lysander). You see the resemblance with Anita Westfall’s iconic photo of Lysander (below): the ears, the jaws, the forehead.
They are from Basil Jadaan’s pre-war breeding. I believe, but I am not sure, that the one to the right is Yaqut, a daughter of Marwah, a Saqlawiyah Jadraniyah. The one to the left would be Bent al-Sham, but I forget who her dam was. Professional photo by Rick Van Lent, for Basil, who gave it to Hazaim, who shared it with me. Marwah’s lineage somehow survives in France today. Qokriyah El Shatane, by Mokhtar out of Hijab, by Ward Al Mayel out of Nisreen, by Mobarak out Marwah, still lives.
Latif is best known as the sire of Denouste, and as such a premier French racing sireline. I had written about him here, some ten years ago.
The 1987 Hamdani ibn Ghurab Mobarak was Basil Jadaan’s foundation stallion. The photo was taken at Basil’s farm, and first published online by Hazaim Alwair. I first saw Mobarak at the farm of Hisham Ghrayyib in Damascus as a three year old. He had come a few days before from his native Shammar Bedouins, and was on his way to Basil Jadaan’s farm. Mobarak was not without defects, but he had such style, such fine skin and such desert looks that it was impossible not to be smitten by him. He did not walk, he pranced, sideways. He oozed Arabness.
The 1983 stallion Mas-huj stood at the farm of Basil Jadaan near Damascus for one season, when this photo was taken. Basil gave a copy of the photo to Hazaim Alwair who published it online for some time. Mas-huj was from the city of Hama, from an old lineage of Ubayyan Sharrak tracing to the Sbaa tribe. I remember Mashuj well, from seeing him in Hama year in year out during the late 1980s and early 1990s at the farm of Fuad al-Azem. His sire was a Saqlawi Jadran of Ibn Zubayni from another old Hama lineage (that of the family of al-Khani). He raced in Beirut under the name of Zad al-Rakib. My father recalls seeing him — the Saqlawi — pull a cart on the streets of Beirut in the early 1980s after his racing career was over. I was in the car apparently but too young to remember.
At the old farm of Basil Jadaan near Damascus. Note the short back, the strong coupling, the arched neck, and the huge eye. The overall balance. Stare at him: he is a concentrate of Arabness.
The findings of recent genetic research by Dr. Barbara Wallner on the sire lines in Arabian horses is likely to cause a lot of stir in the Arabian horse world, from racing “industry” circles to purist ones. The research points to, among other findings, English Thoroughbred ancestry in the sireline of the Saudi/Qatari stallion Amer. Amer was the most successful sire of “Arabian” racehorses of his generation. The information is part of a larger study titled “The horse Y chromosome as an informative marker for tracing sire lines”. It shows the y chromosome in Amer’s offspring displaying the same unique genetic mutation that characterizes the offspring of the English Thoroughbred stallion Whalebone. This mutation is not present in the y chromosome of other English TB male descendants of the Darley Arabian. The Darley Arabian is the sireline for Whalebone, and the main foundation sireline of the English TB breed overall. This means that the face-saving argument of “both Amer and Whalebone/Darley trace to an Arabian horse sire line” does not stand. Many purist breeders must feel so vindicated. I do, for one. Thank god for genetic advances, and for the freedom of expression in some countries that allow such studies…
A recent entry on this blog witnessed a discussion between two French breeders on the notion of “le sang” as applied to Arabian horses. I would like to come back to it, as I believe it to be fundamental to understanding the kind of Arabian horses this blog advocates. This notion is not well captured by the literal translation of the French term “sang” as “blood”. It is not about purity of blood, nor is it about bloodlines. A closer English approximation is perhaps “stamina”. Robert Mauvy offers the best definition, in my opinion (in French, followed by Mr Google’s version): “Le sang! Ce mot en matière hippique ne désigne nullement ce liquide de vie qui anime celle des êtres vivants; ce muscle liquide qui amène a l’organisme les éléments nutritifs et ramène les déchets de cet organisme, non! L’expression hippique “sang” résume, dans un tempérament nerveux, sanguin au paroxysme — le concentre d’énergie, de force, de solidité des tissus, de densité des os, de résistance a toute épreuve, de volonté et de courage. Le cheval arabe de sang pur est l’expression la plus haute du “sang”. C’est lui le “sang”! The “sang”! This word in equestrian matters does not…
A thought had in passing the other day: one notices a significant increase in the use by French and other European horsemen of the term “Nedjdi” (among other spellings) in the first decades of the XIXth century, to refer to some Arabian horses. I believe this increase was probably associated with the influx of Bedouin tribes, mostly ‘Anazah, from Central Arabia (Najd/Nejd/Nedjd) to Northern Arabia that was taking place around the same time. The first decades of the nineteenth century were indeed the time when the Ruwalah, under al-Dray’i ibn Sha’lan, the Fad’aan and other ‘Anazah tribes migrated to the north. In doing so, they came in contact with the Ottoman centers of Damascus and Baghdad, and with other Bedouin tribes already present in the area. People in these urban centers and Northern Arabian Bedouins alike must have referred to the new arrivals and their horses as “Nedjdi” — the ones from Nedjd. What I believe this means — and here lies the crux of my argument — is that the “Nedjdi” horses are essentially the Arabian horses of the ‘Anazah gone northwards. In the North, they would have been contrasted with Arabian horses maintained by the Northern Arabian tribes…
Mardschana Bint Mahra traces tail female to the Dahmah Shahwaniyah mare Malacha, foaled at the EAO in 1955, and imported to Germany with her dam Moheba (pedigree here). Moheba, like Marbach’s other EAO Dahmah Shahwaniyah import Nadja, traces tail female to Farida, the 1921 daughter of Nadra El Saghira; Moheba descends from Farida’s daughter Ragia (by Ibn Rabdan), while Nadja traces to Bint Farida (by Mansour). Photos shared here by kind permission of Oliver Seitz. Mardschana’s dam Mahra is a daughter of Malik El Nil, who traces tail female to the mare Bint Karima, whom Edouard has written about before.
The previous post triggered some memories, which I am eager to put in writing so they don’t vanish — especially as my father, now 86, cannot be persuaded to write his memoirs. Starting from the mid-1980s, my father, General Salim Al-Dahdah, would regularly take me with him to the Beirut racetrack, l’Hippodrome du Parc de Beyrouth. He was a longstanding member of the board of the racetrack’s supervising organization, the Societe pour la Protection et l’Amelioration de la Race Chevaline Arabe au Liban (SPARCA). Henri Pharaon had founded SPARCA in the 1920s and had led it most of his life. He also owned the largest number of racehorses at any given point in the racetrack’s history. Other notable SPARCA members and large owners included Moussa de Freige and Saudi Royal Prince Mansur ibn Saud. I only have faint memories of my earliest visits to the racing stables of Henri Pharaon and Moussa de Freige in the mid 1980s. These involve prancing horses, slender grooms, heaps of alfalfa, white plastic chairs, tea cups and endless conversations between adults, with their dose of foul language. They also involve sounds of neighing, horse farts, horses nervously pounding the metal doors of their boxes…
Just a note to say that the author of one of the obituaries of Henri Pharaon (1901-1993) in the Independent is wrong about him hailing from a Triestine family. The Pharaons are originally from Damascus, and one of their branches emigrated to Egypt then Trieste, which was then the only outlet of the Habsburg Empire on the Mediterranean Sea. Indeed a reader issued this correction: MAY I add to Professor John Carswell’s evocative memories of Henri Pharaon (10 August, further to the obituary by Robert Fisk, 7 August)? writes Rosemarie Said Zahan.Pharaon did not come from an old Triestine family which had emigrated to Egypt. The family came from the Bekaa in Lebanon, but one member, Antoun Kassis Pharaon, emigrated in the middle of the 18th century to Egypt, where he soon rose to become the substantial figure of Customs Master (Le Grand Douanier). He strongly advocated the Red Sea overland trade route from Europe to India via Suez (long before the canal was built), and in so doing, was helpful to many European traders. In 1784, he left Egypt and settled in Europe where he was given the title of Count of the Holy Roman Empire. His descendants are…
A previous entry by Kate McLachlan on the modern descendants of the Weil Stud foundation mare Murana I led me to the family of Cassis-Faraone of Trieste. Murana I was acquired in 1816 by Baron Fechtig for Weil by way of the port of Trieste. Some of Europe’s most illustrious foundation Arabian horses were associated with Fechtig: Tajar, Bairactar, Murana I, Warda, Koeyl, etc. But who was he? Lets pin down some places first: Weil was the royal stud of the King Wilhem I of Wurttemberg (1781-1854), whose capital was Stuttgart. Trieste, now in Italy, was at the time the main port of the Austro-Hungarian Empire on the Mediterranean sea. The trade of Austro-Hungarian Empire with the Orient, including Egypt and Syria, went through Trieste. Baron Ferdinand Fechtig Von Fechtenberg, the son of a senior magistrate in Vienna of same name, became a merchant when he married Teresa, daughter of a wealthy merchant from Trieste, Antonio Cassis-Faraone. This marriage marks the beginning of his trading association with the Orient. Antonio Cassis-Faraone was born in Damascus in 1745, the scion of a Greek-Catholic (ie, Melkite) family of traders. This is the same family as that of Henri Pharaon, who played such…
In 1955, the filly Nadja was imported to Weil-Marbach alongside Hadban Enzahi. Bred by the EAO, she was a daughter of Nazeer out of the mare Nefisa (pedigree here). The mares in this post all trace to her through her daughters Noha and Nabya, both sired by Hadban Enzahi. Photos shared here by kind permission of Oliver Seitz.
Daughter of the Pharaohs, aka “Pippa”, the 2015 Ma’anqiyah Sbayliyah filly I leased from DeWayne Brown, is confirmed in foal to Tamaam DE for March 2020. I am very much looking forward to this foal, whatever its gender. Terry and Lyman Doyle brought me the good news.
Excerpt from an Art Newspaper article: The Arab Image Foundation, Beirut’s pioneering non-profit archive of Middle Eastern photography, has launched an online platform that makes 22,000 images from the collection accessible and searchable for the first time. The foundation’s building, which has been closed to the public since 2016, will also reopen this summer, a spokesman says. I haven’t looked, but I hope there is something about Arabian horses there.
Photos shared here by kind permission of Oliver Seitz.
Back in the 1990s, when Hansi Heck-Melnyk and I were trying to account for all Tunisian horses in Tunisia and Europe, there seemed to be an inexhaustible supply of these beautiful, dry Arabians with lines that traced exclusively to horses imported from the desert of North Arabia. Tunisia was indeed had the one of the largest pools of such Arabians, after Egypt but before Syria (pre-civil war) and Bahrain. The Tunisian state stud of Sidi-Thabet which I visited in 2004 (or was it 2005?), was filled with good broodmares. Today, almost thirty years later, one is hard-pressed to find a horse with a 100% Tunisian pedigree. Most everything at the state stud of Sidi Thabet seems to have been top crossed with doubtful French blood. There may be a few left at Gisela Bergmann’s near Jendouba, and a couple others in private hands, but that’s about it in Tunisia. Maybe a few more in Germany (thanks to the Bergmann’s influence), and one or two old mares in France, but there hasn’t been any Tunisian stallions there in a while, the last one being Jassem (Koraich x Nefissa by Madani). How can that be? Can someone undertake a survey of what…
Such reads the caption on the photo below, shared by Rehan Ud Din Baber on his wonderful Facebook page. Rehan tells us the photo is from the G. Eric and Edith Matson Photograph Collection, which I will certainly look up. Also sharing Severine Vesco’s beautiful comment on that photo, in French: C’est en regardant ces photos là qu’on comprend vite ce qu’est l’arabe… un cheval de guerre dans un des milieux les plus difficiles au monde, et dans une culture tribaleEt vu que le sport c’est quand même plus facile que la razzia ou la guerre, il devrait y exceller. Le cheval arabe est bien plus qu’un chanfrein concave ou une queue en panache. C’est un compagnon d’arme, garant et dernier rempart de son cavalier, un roc chargé de le protéger, de l’emmener en sécurité aussi bien qu’au combat, d’aller vite mais aussi loin, d’affronter tous les obstacles, avec Noblesse… Endurance, vitesse, polyvalence, volonté, proximité à l’homme, solidité, puissance, sécheresse des tissus, charisme, noblesse, Sang Voilà toutes les cases que doit cocher un cheval arabe pour survivre à ce mode de vie, et c’est tout ça qui l’a rendu si …. Parfait
Zalfa had to be put down yesterday, at the veterinary hospital. In many ways, she was just too good to be true. I just hate breeding when this happens. I just hate it. You buy a rare old mare in her twenties sight unseen from far, far away, you do export papers, you ask friends for help with shippers and vet papers, you have her hauled thousands of miles, you ask other friends to let you use their stallion a first time, she does not take the first year, you have her hauled to another friend, bred again, you give her to that friend, she offers you a future filly back, you wait, you hope, you wait again, eleven months, she is confirmed in foal, you’re elated when she delivers that big beautiful filly, you pick a name, you make plans to visit, then in a matter of seconds it all collapses, the dam, half blind, steps on the filly, displaces a hock, the filly can no longer stand, can’t nurse, your friend rushes to the vet hospital with her friend, you wait, you hope, then you get the bad news, you’re left with no other option, and you have…
It’s easy to get lost following any 200 year history and the Skowronek saga is no different. The storyline breaks into two periods of time: the history before his 1921 registration in Weatherby’s GSB and then the commentary post 1921. Each part will be examined sequentially. Each post will include links to English translations of the relevant documents along with links to the original sources in Russian, Polish, German and French. Each translation includes editor’s notes, footnotes clearly explaining any controversial translations and cross references to other documents. Articles will be available later this summer on www.skowronek.io, the FaceBook page Skowronek – A Partbred Arabian Horse, and this blog. List of Articles Cast of characters prior to 1921 Early primary sources (1799-1876)This includes a fully translated Slawuta Stud report from 1799, along with historical commentary on the Sanguszko family’s breeding operation from two brothers, Wladyslaw Sanguszko (1839 and 1850) and Roman Sanguszko Sr. (1876). These sources are often referenced by later authors. The Blunts, the Potockis and the Sanguszkos (1882-1895)The Blunt’s relationship with the Potockis began in 1882 with a meeting in Egypt. The story follows this relationship through Lady Anne’s journals and Wilfred’s letters from 1882 to 1895, including…
1908. A barber setting up shop by the train station of El Marg, North of Cairo. This is the closest train station to Lady Anne Blunt’s stud of Sheykh Obeyd. Her journals indicate she regularly used this station to go to Cairo and back to her stud, about the time that picture was taken. I wonder if she ever saw that barber.. (Photo from the magnificent Facebook Page: Ahl Masr Zaman.
[My dashboard tells me this is blog post number 2000 on Daughters of the Wind, after more than eleven years of blogging] Marta Ulan has a page on Facebook where she shares photos of foundation horses. Not sure what the source is for this nice photo of the foundation stallion Kuhailan Zaid, the desert-bred import to Babolna. He was purchased by Carl Raswan and Bogdan Zientarski in 1931 from the Wuld Ali Bedouins. Kate McLachlan pointed me to this photo.
This morning Carrie Slayton announced to me the birth of a filly out of her grand old broodmare RL Zahra Assahra (Portent x Antezzah by Grand Pass). She is to be named Zalfa, with the suffix Al Arab. Zalfa means “the one who draws near” in Arabic. That’s because she came from so far away, and just about everything about her was far fetched. I am so excited about her. Notice the low set eye, the deep girth, the far-extending withers, the short back and the croup typical of this dam line. I obtained her elderly dam from the late Marilyn McHallam, at her farm dispersal, and had her brought from Canada to California. First to Northern California, where she was bred to Michael Bowling’s Latitude but did not take. Then to Carrie Slayton’s in Southern California, who first boarded her for me, then asked me if she could have her, and if I would take a filly from her. Carrie bred her to Porte CF (Portico x Recherche), for three close crosses to the grand Portia, and other crosses further back. A colt would have remained Carrie’s, and Carrie will get, if she wants, the first filly from this filly.…
Severine Vesco and Amelie Blackwell, wearing their treasure hunter hats, found this gem of a mare somewhere in rural Southern France. Lannilis, the mare, is a 20 year old Kuhaylah Nawwaqiyah, of Tunisian, Algerian, and old, pure French bloodlines. She had a career as a trail riding horse, and is now being used to produce endurance Arabians and Araloosas. This mare traces to one of the lesser known Algerian (Tiaret) tail females, that of the mare Mzeirib, a 1891 desert-bred Kuhaylah Nawwaqiyah from the Shammar. The French imported Mzeirib to Algeria in 1898. The line went to the state stud of Tunisia at some point in the 1920s, then to private hands in France in the 1970s. In France it bred on with crosses to pure Arabian stallions of old Tunisian lines, including some of Robert Mauvy’s breeding. It is the same female line as that of the Tunisian stallion Omran that went to that zoo in Germany. The short back, the deep girth, the high withers, the long hip on this mare are somehow reminiscent of early Crabbet Blunt horses.
There are many ways to judge a horse. Some of the more common considerations include conformation, size, temperament, athletic ability and genetic “potency.” These are normal criteria for evaluating all breeds of horses. However, within the Arabian breed, another criterion takes precedence over all others: pure blood. A pure or asil Arabian horse is defined by its exclusive origin among the Bedouin tribes of Desert Arabia, the creators of the Arabian breed. Bedouins accepted a horse as pure if they had reliable information on its strain, sub-strain and Bedouin breeder. Conversely, Bedouins removed horses from the breed for two distinct reasons: mixed blood and unknown origin. Mixed blood. Bedouins used the term hajin to generally describe any horse that contained non-Arabian blood mixed with Arabian blood. Horses of mixed blood are by definition not pure. Any descendant of a mixed blood horse is also of mixed blood so the status of hajin is not reversible. A hajin horse does not have a strain connecting it to the community of Arabian horses. How do we know a horse has mixed blood? The most obvious way, but not the only way, is that the owner of a horse identifies non-Arabian blood…
The 1952 daughter of Amurath Sahib and 221-Kuhaylan Zaid (tail female to 60-Adjuze), 25-Amurath Sahib was a pretty grey mare (you can see a photo of her here), who produced a number of asil foals for Bábolna, including their chief sire Farag II, by Farag (Morafic x Bint Kateefa), the stallion Ghalion 6, by Ghalion (Morafic x Lubna), and the mare 3-Siglavy Bagdady VI, by Siglavy Bagdady VI (Siglavy Bagdady VI x 250-Kuhailan Haifi I). Some of the descendants of these horses can be found at Farag Arabians, Germany. Stephanie Weirich has very kindly consented to share photos of her 25-Amurath Sahib horses. The 1999 stallion Sheik Tahawi (Unkas x Tahia) has been brought in for the daughters of Farag II-3. The mare Shuweyma Sabbah (Moftha x Moona) is being bred this year to Sahil Ibn Farag II-3. Both Shuweyma Sabbah and Sheik Tahawi trace back to the mare Folla. It is good to see these unique bloodlines breeding on, as they preserve some of the old European lines, as well as Kuhailan Zaid and Kuhailan Haifi, in asil form.
I am happy to report that Monologue CF (Riposte CF x Soliloquy CF by Regency CF), now 18 years old, has been busy pasture breeding two precious mares at Laura Fitz’s, her HH Karisma Krush and her Mi Blue Angel. Monologue has been doing so much better since going to Michigan with Laura on lease from Darlene Summers and I. As a youngster he was just gorgeous, below at Jackson Hensley’s in New Mexico.
Does it still exist in asil tail female? or did Sadana and her daughter Souha die without asil female progeny?
Below is a photo of Amurath Sahib as a four-year-old, in racing condition. The picture comes from Jezdziec i Hodowca, Vol. 15 (36), 1936. In addition to being a racehorse himself, Amurath Sahib sired the Polish Derby winner Equifor, and the Polish Oaks winners Estokada and Adis Abeba. He was also fortunate enough to escape the Dresden firebombing that decimated the stallions of Janów Podlaski, as he was the mount of Dr Andrzej Krzysztalowicz, who had stayed behind to watch over the mares while the stallions were sent on ahead. None of his sons used for breeding – Arax, Equifor, and Gwarny – were asil, and only two of his daughters were, 25 Amurath Sahib, bred by Bábolna, and Arwila. While Amurath Sahib is still represented in pedigrees today, there is no asil descent left from him. [Edit: As R. J. Cadranell points out in the comments below, 25 Amurath Sahib still has asil descendants. Mea culpa.] His dam, Sahiba, was herself a good racehorse, with victory in the Sanguszko Prize (over 2,400m) as a three-year-old. She also won both the Polish Oaks and the Polish Derby. Her sire, Nana Sahib, was a grandson of Amurath 1881 Weil, so that…
This photo is from the World Digital Library “from a collection of 65 projectable lantern slides relating to the Arab Revolt of 1916?18.” DOW readers and lovers of the true Arabian horse, click on the image to enlarge it, and please spend time gazing and squinting at each horse, and look at the chest, the eye sockets, the facial bones, the knees, the fine muzzle, and try to breed for similar traits to the extent possible.
This spring my 24 year old mare Nuri Al Krush will be bred to Jamr Al Arab for a linebred foal to the great Hanad. Nuri brings the lines of the Hanad sons Tripoli and Mainad, and Jamr adds Sanad, Ibn Hanad and Ameer Ali. The photo was taken at her breeder and owner Trish Stockhecke in Ontario, Canada.
Mystic UF (Janan Abinoam x Astranah by Astrologer), 1987 Kuhaylan Hayfi of Davenport lines, was a powerhouse. Owner Aida Schreiber riding.
The strain of the Frayjan is one of the oldest Arabian horse strains. It gets an early mention by K. Niebuhr in 1772 as of the five strains of Al Khamsa, with the spelling fradsje — see the beautifully researched article of Kate McLachlan on the five Al Khamsa strains. The strain is not a Kuhaylan strain, but is self standing. It takes it names from the Frijah section of the Ruwalah tribe, to which it originally belonged. The Frijah were one of the first sections of the Ruwalah to migrate from West Central Arabia to North Arabia. In the 1970s, two stallions from this strain were listed in the first Lebanese Arabian Horse Studbook submitted to WAHO. In the early 2000s, Hazaim mentioned to me a non-Asil mare from this strain in Homs. She traced in female line to an Asil Frayjah mare. She was the daughter of the Iraqi part-bred Arabian stallion al-Zir. It would be interesting to get some DNA from this line. The strain is now extinct in asil form. Incidentally, the Frijah is the section of the Ruwalah which owned the Saqlawi strain. The Qidran (or Gidran, hence Jidran and Jadran) are one of the…
From the Arabian Horse Archives: Part of a series of 120 primarily glass slides taken by Joe Buchanan’s father, Robert Earle Buchanan, a professor of Agriculture at Iowa State University, on trips to the Middle East in 1946 and 1949. In the Comar Arabians collection of Garth and Joe Buchanan. Now held by Carolyn and Dick Hasbrook, Twinbrook Arabians, Ames, Iowa. About the chestnut stallion: notice the strong backline, the deep girth, the high withers, the straight shoulder and the long hip. You can see the big eye sockets too. I really wonder what his breeding is. In the pen behind him is another stallion, grey. Only a blurry head shows, but here too you can the protruding eye socket, the dry and delicate muzzle, the prominent bone under the eye, and the fine black skin around the eyes and muzzle. The hindquarter looks droopy but it may be the posture. About the white male donkeys: these are from the precious breed that comes from al-Hassa province of Eastern Arabia; they are taller and stouter than average donkeys, and have bigger and drier heads. A very precious breed now vanished.
These posts weere initially published on the AKHorsemen Yahoo discussion group, over several days in August 2001. There is no evidence whatsoever that Bedouins ever bred according to strain theory. This is a myth. They most certainly never did it intentionally during the 20th century and the Abbas Pasha Manuscript is here at last to tell us it did not happen in the 19th century. There are definitely many different types [of Arabian horses], distinctive and special. The greatest contribution of North American breeders of Arabians to the breed (a contribution at least equal that of the Bedouins in preserving the purity of the blood from immemorial times) is that they have emphasized and developed these types. However it is my opinion that the mistake of these breeders was to confuse strains and types. They are not to be associated. Strains are just equivalents of family names for humans. Humans transmitfamily names from father to son, in horses family names (strains) aretransmitted from mother to daughter, simply because Bedouins thought it was more convenient, for several reasons (I’ll expand on this later). You have tall humans and short humans; and you have humans from the Smith family and other from…
The information on this rare strain found only in the Kingdom of Bahrain, primarily comes from the seminal 1971 article of Judi Forbis in Arabian Horse World, later republished in her book Authentic Arabian Bloodstock. Judi visited Bahrain in March 1970, and recorded the following information about the strain, in three different parts of that article. The first reference provides background on the strain: Kuhaylah Al Adiati is another strain rarely heard of before, but deriving from the Kuhaylah family. She came from Saudi Arabia and was presented to Sheikh Hamad when he was a prince, together with a letter of presentation from the offering Sheikh of Al Ajman: “I send to you this mare which fulfills Al Adiat”. That is, to him she embodied all the swift and desirable attributes understood in the beautiful El Adiat, Sura 100 of the Koran [A translation of Verse 100 of the Qur’an follows]. What greater or more meaningful gift could he possibly have bestowed? When Sheikh Hamad saw her race and found her to be exceedingly swift, he happily declared: “Truly She is of Al Adiat.” The second reference occurs during a visit to the stud of Sakhir: “Sakhir, the abandoned palace…
The ‘Ubayyan colt Kasim was a gift from King ‘Abd al-Aziz Aal Saud to the Earl and Countess of Athlone (Queen Victoria’s granddaughter) during their visit to Arabian in 1938. I donated this photo and that of *Turfa and Faras which you saw on this blog earlier, the Arabian Horse Archives. They were a gift from Kees Mol, who had received them from someone who had received them from the Dutch Consul in Jeddah who took the pictures, as indicated on the archives’ website.
Damascus SF (Memoir UF x Neroli CF by Regency CF) is a very smooth stallion of Davenport lines, bred and owned by Aida Schreiber in New Hamsphire. Through a close cross to Bint Ralf, he has a rare line to the Davenport desert-bred import *Farha, and most probably, the last line to *Haleb in Davenports, too. I loved that crested, muscular neck.
My friend and mentor Chuck Humphreys sent me this poem by Latin American poem Pablo Neruda: HORSES From the window I saw the horses. I was in Berlin, in winter, The light was without light, the sky skyless. The air was white like a moistened leaf. From my window, I could see a deserted arena, a circle bitten out by the teeth of winter. All at once, led out by a single man, ten horses were stepping, stepping into the snow. Scarcely had they rippled into existence like flame, than they filled the whole world of my eyes, empty till now. Faultless, flaming, they stepped like ten gods on broad, clean hoofs, their manes recalling a dream of salt spray. Their rumps were globes, were oranges. Their color was amber and honey, was on fire. Their necks were towers carved from the stone of pride, and in their furious eyes, sheer energy showed itself, a prisoner inside them. And there, in the silence, at the mid-point of the day, in a dirty, disgruntled winter, the horses’ intense presence was blood, was rhythm, was the beckoning light of all being. I saw, I…
Severine Vesco took this beautiful photo of my friend Jean-Claude Rajot and his Syrian stallion Mahboub Halep, bred by Radwane Shabareq near Aleppo in 2007.
Le débat que Louis a enclenché est le bienvenu, il est important. Essayons de le continuer en mettant tous les griefs de coté, dans l’intérêt du cheval. Nous sommes évidemment en présence d’acceptions différentes de ce qu’est un cheval arabe aujourd’hui. Celles-ci proviennent de la manière que chaque civilisation a eu d’appréhender la relation de l’homme au cheval au fil du temps, de l’évolution du rôle du cheval dans chaque civilisation, mais aussi et surtout de perceptions par les hommes d’hommes de civilisations différentes, donc de leurs chevaux. Je demeure cependant persuadé que ces acceptions peuvent se recouper. (La suite est à venir)